A Quote by Evan Glodell

It was a hobby I got into a long time ago, hacking cameras. I was able to make my own using different lenses. — © Evan Glodell
It was a hobby I got into a long time ago, hacking cameras. I was able to make my own using different lenses.
I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
At the beginning, people laughed at me because I was using snappies. Sometimes, a celebrity would look at my camera and go, Oh, I've got one of those. I'd feel like handing it to them and saying, Well, you take the pictures then. But I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
There are loads of kids out there who haven't got a clue what 'Men Behaving Badly' was; it was such a long time ago. So I'm able to spread my wings a little bit more. I was able to do it on stage over the years. Most directors and producers don't know who I am these days, anyway!
Recently I began to feel this void in my life, even after meals, and I said to myself, "Dave, all you do with your spare time is sit around and drink beer. You need a hobby." So I got a hobby. I make beer.
We're constantly striving to bring something new and different to the table, either in the way that we're using the cameras, or the storytelling we're using in the scene, or the way that the characters are being motivated by the action.
I remember coming on my first set and it being a playground of things I wanted to ask questions about: cameras and lenses and what the lenses do, what's the focus puller doing and how does that work? Why is there less margin for error when there's less light? I was always asking questions and watching directors closely.
I ceased using words like optimism and pessimism a long time ago.
The good news is we are seeing an incredible surge in non-animal technologies in laboratories. With researchers using stem cells, visually impaired people may one day have new corneas and lenses grown from their own cells. That is likely to be a more effective and cheaper approach than using animals.
I used to own some hobby aircraft, but I got rid of them. I didn't have the time.
I learned a long time ago that it doesn't make me less of a woman because my babies come out of a different place. My C-sections have been fine.
I don't invest in the stock market. I did it a long, long time ago when I was really young, and I got involved in all the investigations and all the prosecutions, and I felt it was better if I didn't make individual investments. So I'm invested in funds, but not in individual - not in individual stocks.
[The film Woman Walks Ahead] is from a long time ago. I wrote that ages ago. It looks gorgeous and Jessica [Chastain] is so good that I've got high hopes.
I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.
I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
I have had positive experiences with cameras. When I have been asked to join experiments using cameras in the courtroom, I have participated; I have volunteered.
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