A Quote by Evelyn Underhill
The practical life of a vast number of people is not, as a matter of fact, worth while at all. It is like an impressive fur coat with no one inside it. One sees many of these coats occupying positions of great responsibility. Hans Andersen's story of the king with no clothes told one bitter and common truth about human nature; but the story of the clothes with no king describes a situation just as common and even more pitiable.
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Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
I'm a practical person. Most fashion people live in the clouds, and they're full of it. I live like a human being - or, I try to - and I have to be intelligent; I have to be practical. I'm a great believer in common sense, and the older I get, I see that common sense is not that common.
Constitutions are not designed for metaphysical or logical subtleties, for niceties of expression, for critical propriety, for elaborate shades of meaning, or for the exercise of philosophical acuteness or judicial research. They are instruments of a practical nature, founded on the common business of human life, adapted to common wants, designed for common use, and fitted for common understandings.
Okay. That was nice. Clothes. You need clothes before I do something I might not regret. What was your size again, Steve? (Sunshine) Talon. (Talon) Talon. Size. Clothes. Cover him up. I’m going to go get Talon clothes. Keys. Need keys for car. Purse. Money for clothes. Shoes. Must have shoes to shop and keep feet warm. (Sunshine) What about a coat? It is wintertime. (Talon) Coats are good in the winter. (Sunshine)
If it is true ... that no one has a life worth thinking about whose life story cannot be told, does it not then follow that life could be, even ought to be, lived as a story, that what one has to do in life is to make the story come true?
A policeman in plain clothes is a man; in his uniform he is ten. Clothes and title are the most potent thing, the most formidable influence, in the earth. They move the human race to willing and spontaneous respect for the judge, the general, the admiral, the bishop, the ambassador, the frivolous earl, the idiot duke, the sultan, the king, the emperor. No great title is efficient without clothes to support it.
Historically, a story about people inside impressive buildings ignoring or even taunting people standing outside shouting at them turns out to be a story with an unhappy ending.
I always have a lot of vents and slits in the clothes I design, even inside the pockets so that I can slip my hands inside my clothes and touch my skin. I want to be able to feel my body naked inside my clothes.
Tell the story, gather the events, repeat them. Pattern is a matter of upkeep. Otherwise the weave relaxes back to threads picked up by birds to make their nests. Repeat, or the story will fall and all the king's horses and all the king's men. . . . Repeat, and cradle the pieces carefully, or events will scatter like marbles on a wooden floor.
I play a guy who believes he's a king. He's the most common man in the world; in fact his family, like his suits, are just make-up. It's about dysfunctional people and dysfunctional relationships.
There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?
When I went for my medical school interview, I had an old paperback of 'Henderson the Rain King' in the pocket of my coat. I was wearing the best clothes I had - a pair of cords and a sport coat - but when I got to the office, all the other interviewees were lined up in their black suits.
To me, a great story well told is a great story well told, and just because the protagonist is a young adult doesn't mean that story has less merit or worth than if the protagonist is a full-grown adult.
I love theater, a performance and designing a visual spectacle. It is like creating a composition with clothes, which have to fit the psychology as well as the body of characters. The performance is frozen in time, the clothes have to stay reliable and help to define the story. Fashion can be much more abstract. It needs no story because the woman is the story. She supplies the text and content. Fashion for retail is the opposite of frozen, it has to change and morph constantly to stay relevant - to be the "fashion.".
Cops never took anything on faith, and disbelieved every story that was told them on principle until and unless they could confirm that the story was fact in all its essentials, and even then remained wary and unconvinced. Cop shops bred skeptics. Skeptics cherished few illusions about human nature, and therefore were seldom disappointed.
When greedy people are given gold, they are bitter that they haven't gotten jewels; when they are made barons they are resentful that they haven't been made lords. Though powerful and rich, their attitude is that of beggars. For those who know how to be content, simple fare is more delicious than rich delicacies, a cloth coat is warmer than fox fur, and an ordinary citizen does not defer to a king or a lord.
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