A Quote by F. Gary Gray
I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
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Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
I don't see a difference between the big screen and the small one. We are entertainers, and the medium doesn't matter.
When we watch a film as actors, you have to understand that we always see much more than what's on screen.
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
Ranbir has the ability to be a natural in front of the camera. There is nothing artificial about him. When I watch him on screen, I always feel that he is not acting. And I see this quality only in him among my contemporaries. I am a big Ranbir Kapoor fan.
It does not mean that in the process of a small screen, I do small acting, or if I do a big screen project, I do big acting. For the actor, it does not matter.
The big screen and the small screen are two very different mediums - they are perceived differently by people.
When David Goyer comes to the small screen, what he's actually doing is making the small screen bigger.
It's a very different thing when you're able to read something and see it in your mind, then to imagine it on screen. It's emotional transference that you don't have in literature that you have in movies. People invest in the person they see on the screen and they can't shift gears.
So many actors say, 'Oh, I can't bear to see myself on screen,' but it's not true. Everyone loves to see themselves from a good angle.
Often, when you see yourself on the screen, you feel like a sweater that's been put through the washing machine. You have the impression of having done something full and luminous, and suddenly, when you see it on the screen, it's turned back into a tiny little thing.
When a writer looked at an empty computer screen, what did she see? Tristan wondered. A movie screen ready to be lit with faces? A night sky with one small star blinking at the top, a universe ready to be written on? Endless possibilities. Love's endless twists and turns - and all love's impossibilities.
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