A Quote by F. Murray Abraham

All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else. — © F. Murray Abraham
All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.
To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach
Love is scary, like anything else, whether you're falling in love, whether you're discovering love in something else...if you're really going to jump off the cliff, when you meet somebody that you love you're going to jump off that cliff, you've got to give them everything. And when you have a kid, it's on a much greater level.
I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it. I don't find it very helpful to know who else is going up for stuff, generally.
The notion of humans as inherently rational beings has been not only trashed in economics, but trashed in all the best research on moral decision-making.
You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.
I always had a passion for writing, but I always visualized other artist singing my lyrics, I never visualized myself.
The goal isn't to do work and hand it in just before it's due. The goal is to do the work as beautifully as you can, faster than anyone else, so you can do more work.
If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
Portraits of the Mind is a remarkable book that combines beautifully reproduced illustrations of the nervous system as it has been visualized over the centuries, as well as lively and authoritative commentaries by some of today's leading neuroscientists. It will be enjoyed by professionals and general readers alike.
I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
If you don't like something, talk about something else that's great and maybe someone else will discover it and think it's great too.
In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.
I'm not thinking when I'm writing, 'How's this going to read?' Or, 'What percentage of the audience is going to stay with me?' The thing itself is what gives me pleasure. Sometimes stuff just falls onto the page so beautifully and happily that it's deeply satisfying. It's selfish!
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