A Quote by Faith Ringgold

When they're looking at my work, they're looking at a painting and they're able to accept it better because it is also a quilt. — © Faith Ringgold
When they're looking at my work, they're looking at a painting and they're able to accept it better because it is also a quilt.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
We have to pay attention to one another, regardless of how someone may look or act, look again. Looking at people is like looking at art. I may look at a painting and dislike it because I don't understand it but then I'll look deeper and I'll see things better.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
If you go to a concert, you will notice, is it loud? Is the music fast? Is it predominately strings or brass? There are things we can all register, whether we are musicians or not. Painting's no different. Taking pleasure in projecting oneself into the painting is the act of looking. That's what looking is.
I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because 'you aren't going to make a living doing that.' I liked looking in art books at the work of painters.
There's something immediate about the experience of reading a poem. It makes sense in my own mind, but I'm trying to figure out a way to articulate it... It's like looking at a painting: you're able to take in the totality of the work all at once, and so processing whatever information that painting is giving you is almost secondary to simply apprehending what's in front of you.
There's something always instinctively visually right about nature. There's no difference, to my eye, between looking at a great painting and looking at nature. Because painting, when it's great, has the same immutable rightness, unquestioned rightness, about it.
It's not like I'm dying to do work that's taken seriously, and I'm not looking to become a thespian. It's not what I'm looking for; I'm just looking to do quality work.
I'm always looking for more, looking to improve and get better. That's something inside me, I know I have to work for it.
You know, I try not to look back, because looking forward is so much better than looking backward.
When a spectator approaches a painting with his own particular set of filters or theories, be they historical, political, intellectual or whatever - he either finds what he is looking for or dismisses the work as irrelevant. He has deprived himself of the possibility of any fresh experience or revelation by looking only for confirmation of that which he already 'knows.
Looking for peace is like looking for a turtle with a mustache: You won't be able to find it. But when your heart is ready, peace will come looking for you.
I've been able to stretch myself, covering policy, looking at tax reform, looking at the broader economy [being at Fox]. It's no longer [just] about the stock market. I'm having a ball. And, the glamor of TV also makes it fun.
If you're going to choose your friends, you better choose them well, because when you look at your friends, you're looking at a mirror reflection. You're looking at you; you are looking at you.
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