A Quote by Fallon Fox
Do you ever wonder what the Amazons would have looked like in real life? I think in MMA, like, you see it - that warrior spirit. You see that determination. You see that heart. You see that bravery.
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When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
In real life, I don't fall in love with the guy who wines and dines me, I fall in love with the flaws and the humanity. When I see someone get embarrassed or when I see them wearing their heart on their sleeve, I want to see that in movies. I hate seeing the put-together people, and then it makes everyone think they're supposed to look like that. It's all a bunch of BS.
I look in the eyes and I see the heart. As long as it's a human story. I would like to turn on my television and see African American, Hispanic, Asian as well as Caucasian. And I think there are probably more people like me.
I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.
And I don't know where to find Ashley Danfield and all the other lovely commentators who show me live courtroom trials. To me, you know, I'm obsessed with it. Like I think maybe if I wasn't an actor I'd be a litigator. But, you know, it's always just shocking to see what happens in real life because most of the things that you see on those trials if you tried to write them into a TV series you would say oh gosh, no one would believe that would ever happen. But yet they always do in real life.
One of the regrettable things in my life is that my dad was not around to see my stardom, to see me wrestle or to see what I achieved by the dream I had at an early age, influenced by where he would like to go.
I don't care what anybody else is wearing. I feel like they're all waiting to see what I have on. If you really want to know the truth, that's what I think. They're waiting to see what I'mma do next.
I wish they would see the real person in me. One day, they will know I'm not here for the show. My mind do shine. My heart is so kind. But that they can not see because all they see is the outside of me. Who I am, what I do is only the reaction I get from you.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
To see life. To see the world. To watch the faces of the poor, and the gestures of the proud. To see strange things. Machines, armies, multitudes, and shadows in the jungle. To see, and to take pleasure in seeing. To see and be instructed. To see and be amazed. (Describing the powers of photography; written for the launch of LIFE Magazine, 1936.)
I follow my instincts and I always think about what movie I would like to see. If I want to see it then I'm guessing that some other people might want to see it as well. I never try to think about what people will love or will like, because when you start to think for other people that's where you lose track of the real motivation.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
When people laugh and applaud as characters are killing each other, and you never see the body that's lying there, or you never see the family that suffers, then it turns into a cool thing to do, like a videogame. Then, when you watch the news and see that 15 soldiers were killed, you start to see them as just numbers, material, information, images. We lose the real weight and real value of one simple human life.
I used to wonder what it would be like to see my name on a billboard. I couldn't even imagine something like that. Then you see it, and, well, it just makes billboards not as special as they used to be. It's weird.
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