A Quote by Farah Khan
I had to let go of many things because we did not have much money growing up. Like joining the Film Institute in Pune or learning the piano.
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When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.
I'm learning so much about my style just having access to so many things now. Growing up in Cincinnati, we really didn't have much money so it was really about places where you can go to get the most for the least.
I was among the first batch of the students to graduate from the Film and Television Institute of India (FTII) in Pune in 1966, but it wasn't my passport to Bollywood. At that time, no one understood that it is possible to learn acting in an institute.
When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I was contacted by Rajyavardhan Singh Rathore, MP, through the Pune Film Institute and offered the post in the NFDC. I accepted it for the sake of Kerala and because it is an opportunity for improving the content of Doordarshan.
When I was 14, I did all kinds of different odd jobs. I had a chicken farm, had an ice cream operation in the summertime, worked as a caddy; all things to make money and save money. Save money in order to invest - that was the first step, though I never really accumulated very much because of other demands like bicycles and things like that.
There wasn't a lot of music in the home when I was growing up. We didn't have a piano or anything like that but my grandmother, had been a well-known piano teacher.
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.
What is a college? An institute of learning. What is a business? An institute of learning. Life, itself, is an institute of learning.
While I was trying to save money to go to the National Institute of Dramatic Art in Australia I ended up getting all of this experience which meant that by the time I had enough money in the bank to go to school I didn't really need to go to school anymore.
After I finished my degree in Mass Communication in Manipal, I enrolled for a cinematography course in Pune Film Institute. That is when Nandini Reddy, the director of 'Ala Modalaindi,' convinced me to act.
As a kid, I took piano lessons, and I didn't like it. It wasn't cool. I was into Duran Duran and rock music. I didn't have any interest in piano. I did it for three years, and because of piano, I learned percussion. I learned scales. I learned how to sing. Piano gives you all of the basics of those things.
When I was growing up in the '50s, I had never heard of a "woman film director," so I did not consider it as an option. But I was fortunate that in the late-'60s and '70s, because of the feminist movement, women were stepping into all sorts of careers that had been closed to them in the past and film was one of them.
In my work I try to get things right, to do it well, and if there are specific skills involved - like in a case conducting or playing the piano, or in this film I have coming up where I play a character who is German - I'm very meticulous about learning accents and dialects and those kinds of things. That's probably the closest I come to being a perfectionist.
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