A Quote by Farah Khan
I am happy judging shows and making films. It is a good thing to do a film and then take up a show, considering it also keeps your popularity alive.
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My primary passion is film-making. That's the aspect of my life that defines me, completes me, and completely grounds me. Everything else - from judging a reality TV show to hosting a talk show - is just a result of me being a film-maker. I am the happiest, satisfied and at peace when I am behind the camera.
I am so happy to be alive. That's the one thing I'd like for people to know. Sometimes people walk by and slip up and say the wrong thing about me, and I'll smile. They wonder why am I smiling. Because I'm happy that I'm alive.
When I am making a movie, I am very casual; wearing chappals, and have my hair tied. However, when I am judging a show, I take care of myself and get the makeup and hair done.
I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out.
When I stay focused and honest about who I am and the image that I hope to portray, then I won't find myself stranded in unfamiliar territory chasing money or popularity. If the work that you do is quality, then you'll be rewarded. It's also good to stretch musically within the realm of your ability, but not if it compromises your integrity.
I love the whole physical thing in films. It keeps me on my toes, it keeps me awake, it keeps me alive. If I'm going to be shooting a movie from 7pm to 7am six nights a week, I best be as physical as possible because then I'll never get tired. Otherwise you sit down, it sounds really weird, but that's the part that wears you out.
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
I am passionate about cinema in general. Eventually, I am making films for people to watch and enjoy, but somewhere, I have to be satisfied, too. I want to be happy after doing a film.
I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It's really unfulfilling and I've never really enjoyed listening to them anyway, so I just don't do them.
The people I met for the first time in the period when I was making films like 'Tum Bin,' 'Ra.One,' 'Dus,' 'Cash' would often remark that I was very unlike the person who had made those films. This is not the best thing for a film-maker to hear because your film should reflect your personality, thinking, philosophy and character.
Big films help your reach a wider audience, and doing independent films keeps your artistic side happy.
Here's another thing to remember: hope keeps you alive. Even when you're dead, it's the only thing that keeps you alive.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
One thing I've learned is that the audience not only wants to be talked to but they also like to talk back. Maybe that's not a universal thing but people at my shows always have something to say. I love it because it encourages the spirit of having a good time together and it takes the show to places that I wouldn't be able to take it without their participation. The show becomes something that we're all working on together. That sounds really cheesy but I mean it.
I guess people feel that if you're working with good directors and are known in the Hindi film industry, then you won't work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it's a good script and a good director, I can do a film in Spanish as well.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.
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