A Quote by Farhan Akhtar
'Dil Chahta Hai' is not the first film about friendship. 'Lakshya' is not the first film about war and coming of age.
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With 'Dil Chahta Hai' being the first film and 'Lakshya' being the second, what people can expect from Excel Entertainment as a company, and from me as a director, is just good, clean entertainment. And hopefully, some residue of an idea or thought that you can take home and mull over.
'Lakshya' is a different genre of movie. While 'Dil Chahta Hai' could be categorised as a romantic comedy, this is a war drama.
'Dil Chahta Hai' was too raw. We only thought about the film. We never thought where the film was going to go. We wanted to make a film on our own terms.
I was very focused when I wanted to make 'Dil Chahta Hai,' though it was difficult for me to convince people that I know how to make films and I will be able to direct and put a film together.
When I made my first film I was 25 years old, and that's pretty rare. Being so young my experience and the thing that I wanted to talk about was teenagehood, plus in France we have that strong tradition of the coming-of-age story being made as your first film.
Aamir Khan told me that I was doing Sameer's character all wrong in Dil Chahta Hai
Who are critics? Do they know about music? Have they proved themselves in the field? I remember, when we came up with the music of 'Dil Chahta Hai,' some of the critics said that the songs sounded like jingles.
I'm a 90s child and I have grown up on a staple diet of David Dhawan films, Baazigar, Rangeela and Dil Chahta Hai.
Dil Raju's first film 'Dil' was with me and we were supposed to work together after that, but it didn't happen. Now, after 15 years we are working together and Dil Raju's passion for cinema is still intact.
After 'Hamara Dil Aapke Paas Hai,' 'Hum Aapke Dil Mein Rehte Hai' and 'Mujhe Kucch Kehna Hai,' my presence as a director will be felt. These three films have been very successful and 'Badhaai Ho Badhaai' is going to be the climax. My work is finally recognised.
Everything I do is gauged under the shadow of 'Dil Chahta Hai.' Even 'Zindagi Na Milegi Dobara' and 'Rock On,' which are very urban films. So I am always seen through that lens.
'Satra Ko Shaadi Hai' is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in 'Sanam Teri Kasam.'
For every film that I have believed in - from 'Tanu Weds Manu' to 'Rehna Hai Tere Dil Mein' - it was very difficult to find producers.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
It was the ill-fated Dil Diya Dard Liya in 1966, where she played my friend. Though the film didn't do well, it is remembered for its powerful theme. Shyama was an entertaining friend during the shooting and we continued our friendship even after the film was over.
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