A Quote by Farhan Akhtar
I was a complete vagabond till the age of 20, when I got my first job as an assistant director with Pankaj Parashar.
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Then I usually leave the choice of the second assistant director and any other assistant directors to the first assistant director, who will choose because he or she is responsible for the conduct and the efficiency of the second assistant directors.
When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director.
My career got off to a very shaky start when I dropped out of school at the age of 18. Despite my lack of academic credentials, I got a job as a fashion assistant at 'Harper's & Queen.'
I remember when I got my first salary, Rs 3000/- while working as an assistant director during my college summer vacation and I gave it to my mom.
I worked from a very young age as an assistant director.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
At the age of 16, I ran from my house, did odd jobs till l landed work on television and then in film industry. My first job was at an STD booth in Delhi. Then I came to Mumbai, where I distributed DVDs, and that is when I got my first TV show offer, 'Left Right Left.' I have never planned things in my career.
Before MS moved in on me, I'd worked for seven years as a city lawyer, as the editor of a literary magazine, and before the age of 20, I'd also worked as a cadet journalist and as an assistant director in both film and TV. And then, after the lesions of MS, both on my spine and in my brain, I was the opposite of bionic.
I was on a couple of scholarships. I had a job in the school administrative office. I had a job as a hat-check boy in a restaurant. I had another job as an assistant to a casting director. It took a lot to get myself enough money to put myself through Juilliard.
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he really felt his job - part of his job, as an assistant [to the] director was to make the collection available to interested people.
There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
I first started working in film when I was 17. I was a director's assistant, an editor.
I was the assistant to the editor-in-chief of 'Esquire Magazine.' And my experience as an assistant was really best case scenario. My boss was absolutely the greatest boss I could have asked for. But I think there's something universal about being an assistant, regardless of whether or not your boss is the greatest or a complete terror.
I only worked on that one movie, but then quickly realized that the path of being an assistant director was not gonna get me to producing. It's a different path coming up through production management and then line producing. So I basically was in the position where I was going to take any job that felt creative, like the one I got, which was reading scripts and writing coverage. So even though I was taking a job where I was making less money than the job immediately prior, it seemed like the right thing for me.
The first assistant director is just so important that the choice of that person is critical to the movie.
Here's what my CV usually does not say: I was trained as a teacher. My first job lasted less than 60 days. I was an assistant professor at a good college at Delhi University, but I found it very political, very suffocating. At the age of 23, you're not very tolerant of those things.
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