A Quote by Fatima Siad
I want people to recognize me for the work I do now as a model, and not something I did three years ago.
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In theater they want to put you on a contract a year in advance and I don't really like that. That's the reason why I became an actor - I like the freelance work. It's interesting, I like not being told what to do still, and I have a job where people tell me exactly what to do, so maybe I don't know myself as well as I want to. I think my last play I did was three years ago.
You do now have one in three people, as shown by the famous Carlton Monarchy debate poll, saying they want to get rid of the Monarchy. That was unthinkable even three, four years ago.
Small people delight in what they call consistency-that is, it gives them immense pleasure to say that they believe now exactly as they did ten years ago. This simply amounts to a certificate that they have not grown-that they have not developed-and that they know just as little now as they ever did. The highest possible conception of consistency is to be true to the knowledge of today, without the slightest reference to what your opinion was years ago.
I'm not going to entertain something that took place not three months, not six months, not a year but two years ago. I'm not going to sit up here and say anything about it, whether I did or did not do it, because I don't want to beat a dead horse talking about it. It's not going to affect me any way, shape or fashion.
A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
I've been communicating with the Fugees, and it feels a lot better now than it did three or four years ago.
I can't be bought with money. If someone calls me and asks me to work for them for three or four years, and they'll pay me well to build their vacation home, I ask myself why I should work three or four years on something like that.
Two or three years ago, every game I want to score. And after I score a goal I have a spark and I'm so happy I want more. Now I'mkind of different. I'm not saying I lost my spark - I still have it - but I don't chase the goal as much as I used to. I'm playing for the team andI still know I can score, but it's different than two or three years back.Look at great teams like Detroit a couple of years ago; they winthe Stanley Cup and guys only score 25 goals, nobody has a really big season. You have to play defense, that's how you win.
I see myself as most people see themselves, you have good days and bad days. I don't think I'm better looking now than I did three years ago.
It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.
Life was a fairy-tale, then, it is a tragedy now. When I was 43 and John Hay 41 he said life was a tragedy after 40, and I disputed it. Three years ago he asked me to testify again: I counted my graves, and there was nothing for me to say. I am old; I recognize it but I don't realize it. I wonder if a person ever really ceases to feel young - I mean, for a whole day at a time.
But we're not this one stupid thing we said three years ago, or ten years ago, or even last week. We seem to judge people as if they are.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
You don't have the same mentality as you did five years ago - even one year. People are always changing, and I believe that everyone deserves the space to change and for people to recognize their change.
Advice may not be good advice 10 or 15 years from now. Someone could tell you something years ago and it might not work now. The world is constantly changing. One word could mean something different today. Today you can't give advice to anyone.
I remember I did a character in 'Robocop' years ago - Commander Cash. I wore this really ridiculous outfit, and my face was covered. You couldn't recognize me in the suit; you could only hear my voice.
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