A Quote by Fawn Hall
The press was all over to get a picture of me. It got to the point where they were all over my house, following me to work... Then Tom Brokaw and everybody else was doing stories, 'A star is born.'
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Ultimately, if you think about all the youth that everybody has mentioned here in Africa, if everybody is raising living standards to the point where everybody has got a car and everybody has got air conditioning, and everybody has got a big house, well, the planet will boil over - unless we find new ways of producing energy.
Even though the press at times made me completely crazy as they followed me around the hall, and asked tough questions over and over again - now believe me, every politician feels this way - it is a necessary part of our life, and we must have a press that isn't cowed and won't be afraid of ratings if they get put to the back of the room at a press conference.
We [me and Seth Rogen] have always wanted to work together. That was the whole point. We talked about it actively, and then we finally got the opportunity to do that, over and over again. It's kind of a dream come true.
I was a star before I got more than $250 a week. Carole Lombard advised me how to get a raise. She said: 'Go to Palm Springs and stay there until they raise the ante.' They were waiting to start a picture with me and I was scared they'd forget me for someone else, but they came after me.
My mom used to tell me stories at night, read books to me - and I read 'em over and over and over again. And you know what I learned from that? I went back and looked at everything - Why do I like reading the same stories over and over and over again? What, was I some kind of nincompoop? No - the narrative gave me connection with my mom.
Others would say to me, 'It is only temporary, it will pass, you will get over it,' but of course they had no idea how I felt, although they were certain that they did. Over and over and over I would say to myself, If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?
A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in it as well - she did this and then she did that; there is something in it that has not got to do with beautiful art to me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute.
No matter how revolutionary something is, if you keep doing it over and over and over then it does loses it's excitement and it's high dynamics and people get used to ... get used to it like anything else you know um and then it just becomes a normal deal and then it becomes not very interesting at all.
The 800-pound gorillas of TV news are gone. When I was the White House correspondent at NBC, and Tom Brokaw was anchor, the reporters were protected.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
I don't think there's a ton of new new stuff about doing a sitcom or doing a multi-camera show, but they work. They're fun, and they're energetic, and they're short. And when you fall in love with one - like, I will watch Seinfeld, I'll watch Will & Grace, all those reruns. I just can never get enough. I watch the same ones over and over and over. I watch the same movies that make me laugh over and over and over. I was hoping to be part of something like that.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
Let's take care of mothers and infants first, and then let's see what's left over for everybody over 50. I'm over 50. If I get sick, I would rather have money spent on children before it's spent on me.
John Kricfalusi wanted me to quit the job when he got fired in 1992. But the problem there is that I wasn't his partner. I was a hired gun. And then people badmouth me for 10 years, like a rock in my shoe in that camp. It's a very small but active group of posters, as I've come to find out. But the thing is that I finally got to the point where, "Okay, I get you, I get it you don't like that I did what I did." But the thing was, the whole story was cockeyed. They said I put everybody out of work. No, I didn't. Everybody was going to be out of work if I didn't continue the Ren & Stimpy show.
I was born in 1971, and Tom Baker was sort of my obsession as a kid and that's why we got him to do the voice over for 'Little Britain' because I was actually obsessed with Tom Baker.
Lately, I'd been feeling like I was standing outside watching everything and everybody. Wishing I could take the part of me that was over there and the part of me that was over here and push them together—make myself into one whole person like everybody else.
