A Quote by Fede Alvarez
In my everyday life, I can be as square as I want. But when it comes to movies and telling stories, I can't. I've got to be radical, and on some level, that's what I like to do.
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Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
I like telling stories, I like movies, and I want to work on films. I think I would feel safer behind the camera.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
If I wasn't an actress I'd want to be a writer or else find a job where I got to read books and watch movies all day, everyday, for the rest of my life.
Yeah I'm telling real stories, but if you pick up a documentary on strippers, you're going to want to see some stripping, so we definitely got that in there.
To make movies you just have to want it enough. You have to have the passion for telling stories. You have to get by the love-of-movies aspect. You can't just be a movie fan.
If you start looking at movies on a moral level - "I don't like that, that hurts, that's mean, that's bad" - then I don't even want to talk to you. Or like, someone that says "I don't like science-fiction movies," or "I don't want to sit through a Western," or "I don't like violence in movies," then I completely tune out.
Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen.
Storytellers, by the very act of telling, communicate a radical learning that changes lives and the world: telling stories is a universally accessible means through which people make meaning.
Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.
What I like about the '60s movies was that they were about women. They were telling women's stories. I think a lot of movies don't tell women's stories anymore.
If you look closely, you'll see that Marvel basically has three Thanoses. There is the 1970s Thanos appearing in the movies. This is before he got the Infinity Gauntlet. Then there are the Thanos stories I'm telling. And finally, there is the Thanos that appears in the mainstream Marvel stories.
I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.
I don't want to be a propagandist, no matter how good the cause. I want to tell stories. It's just that the stories have to square with my consciousness as a woman and my conscience as a human being.
I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another.
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