A Quote by Fede Alvarez
In another life, I would love to be the art guy - a production designer or a maybe even a composer.
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To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
I feel like there is a different, new energy when I collaborate with a living artist, whether it be a composer, designer, lighting designer. I love that process.
Behind all art is an element of desire...Love of life, of existence, love of another human being, love of human beings is in some way behind all art — even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
Historically, there is a fight between the sound designer and the composer. You see them in the mixing room and they're always fighting because the composer wants the music to be heard and the sound designer wants the sound to be heard.
I was always a guy that would study for three hours and barely get an A on the test and you would have another guy next to me who would study for maybe 30 minutes and ace it.
Being a head designer or art director or just even a designer, you need a certain level of experience and maturity.
I would go for the biggest guy on the team, dump the puck in. I would chase after it because I was very fast. If I wanted to get a big hit, I would have to leap into the guy. The guy would be maybe a 6-3 defenseman, 220, I would leap into this guy and plow him over. He would just fall to the ground. That was my thing.
I can play a Jewish guy, another Jewish guy, and then another Jewish guy, and then maybe a Cuban guy. Or at least a Middle Eastern guy. But for me, they're all Jews.
Even though I love fashion and would love to be a fashion designer, I don't live and breathe fashion every day of my entire life.
A guy and a girl can be just friends, but at one point or another, they will fall for each other... maybe temporarily, maybe at the wrong time, maybe too late, or maybe forever.
It is always interesting and sometimes even important to have intimate knowledge of a composer's life, but it is not essential in order to understand the composer's works.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
The most important person is the audience and the composer. The rest of us - and even the composer is a servant to the audience. And of course, the audience is a servant to the higher art.
Maybe Bellator would not be a great fit for this guy but would be for this guy. Maybe the UFC is a better call for this guy, but then Bellator is better for that guy. I don't think you can make a blanket statement and say that this organization is great for everybody compared to this organization. Take it case by case.
I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach.
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