A Quote by Federico Fellini

All artists are equal when they are themselves. — © Federico Fellini
All artists are equal when they are themselves.
Not every child has an equal talent or an equal ability or equal motivation, but they should have the equal right to develop their talent and their ability and their motivation, to make something of themselves.
The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
It is not enough to render things equal to the will, that they are equal or alike in themselves.
Actually, I don't think there's anyone that represents the artists, except the artists themselves.
There's been enough building of fences with labels trying to categorize artists, limiting artists' ability to be themselves.
Savages and modern artists are alike strangely driven to create something uglier than themselves. but the artists find it harder.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
In a country where women regard themselves as equal, they are not prepared to see men running the show themselves.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
In a way, I envy the freedom artists have. Artists can push themselves beyond their limits, in pursuit of their ideas and their vision, even if they are inhabited by demons that can also play tricks on them.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
The language of images [of inner-oriented artists] does not follow a code structure that is evident and widely accepted, but is more likely to be a complex of symbols that have a profound meaning for the artists themselves.
Abstract expression is so solid, so successful and recognizable, but there's a mystery about the artists that goes into it, a fetishism about the artists themselves and who they were.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
I have noted that, barring accidents, artists whose powers wear best and last longest are those who have trained themselves to work under adversity. Great artists treasure their time with a bitter and snarling miserliness.
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