America must realize, there are conditions she must accept in Asia. The first is a diversity of Asian cultures, governments, economic and political systems; the second, that to run against the tide of Asian nationalism is worse than impractical - it is also highly dangerous.
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
I've lived 16, 17 years of my life in Asia, and that's most of my life. I was born in Asia - I've lived cultures that are synonymous with Asian culture - but it's still not Asian enough for some people.
If we in Asia want to speak credibly for Asian values, we must be prepared to also champion those ideals which are universal and belong to humanity as a whole...It is altogether shameful, if ingenious, to cite 'Asian values' as an excuse for autocratic practices and the denial of basic rights and civil liberties.
For as long as the power of America's diversity is diminished by acts of discrimination and violence against people just because they are black, Hispanic, Asian, Jewish, Muslim or gay, we still must overcome.
The fact is, I'm half-British, half-Malaysian. For an Asian who's grown up in America to be commenting on how Asian I am when they've never left America... does that make them more or less Asian than me?
Many still believe that conducting political and economic reforms at the same time is not an Asian way. But this is a fairy-tale. We broke that old stereotype by reforming our political, economic and social systems concurrently since 1990.
In British TV, if there is an Asian character, there usually has to be a reason for them to be Asian, whereas in America, you have a lot more roles where the person just happens to be Asian.
With an award like the Asian Film Awards, we've sent a message saying that 'Asian Cinema is here, it matters, and more importantly, we are all part of the same fraternity!' The AFA is truly, then, an award for Asia, by Asia.
It was quite strange that people were saying I wasn't Asian enough. It's like, 'Oh, you're not Asian enough to play an Asian role.' So what does that mean for people who come from mixed heritage? I grew up in Asia; I'm Malaysian.
I believe that there are three conditions to a woman’s beauty. First, you must realize that not all women are beautiful all of the time. Sometimes beauty comes on a subconscious level. When she is in love, or has met someone new and exciting, she shines. Second, you must understand that life is unfair. Beauty is something that, for some, must be worked at. The third condition is luck. Some women can just be lucky.
Three women were brought to the Singapore General Hospital, each in the same condition and needing a blood transfusion. The first, a Southeast Asian was given the transfusion but died a few hours later. The second, a South Asian was also given a transfusion but died a few days later. The third, an East Asian, was given a transfusion and survived. That is the X factor in development.
I think Anna and the King is a look at Asia from the Asian perspective, reflecting the Asian experience, which is very rare.
Usually when you're Asian and you're on set, you're the only Asian there. Either you're the token Asian or you're the Asian sidekick.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
People's view of exotic or Asian women are changing. It's much nicer to hear 'She's pretty' than 'She's pretty - for an Asian woman.
People's view of exotic or Asian women are changing. It's much nicer to hear 'She's pretty' than 'She's pretty - for an Asian woman.'