A Quote by Finn Balor

I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.
'Lucha Underground' is the evolution of wrestling. It's high-style, high-flying, fast-paced hybrid style wrestling, and we're actually paying homage to lucha libre for the first time.
Fashion you can buy, but style you possess. The key to style is learning who you are, which takes years. There’s no how-to road map to style. It’s about self-expression and, above all, attitude.
I always think to myself that if I was able to transition from lucha libre style to American style, then I can always go back. You never lose your roots.
I was a young age, 16 years old, in Mexico. I traveled to these different countries, and I have the new style from Mexico and TNA. I wrestled two years in Florida, then back in Japan, and everything combined for a new style. It's different. I was looking for old school wrestling that looked new.
Tokyo style is so specific. And I'm a very big fan of their history. It's pretty simple. A lot of the time, people expect to see the wild style that comes out of Japan, but I think, traditionally, the style is very simple.
All literary style, especially national style, is made up of such coincidences, which are a spiritual sort of puns. That is why style is untranslatable.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
The 'King of Small Style' moniker was actually an idea that a real good friend of mine back home in Oshkosh, Wisconsin came up with the day I was released by WWE. Nakamura was the 'King of Strong Style' and that nickname was hot at the time so I jumped on the bandwagon and made a name of my own. It's stuck with me ever since.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
I go to Mexico quite often, and wrestling the Lucha Libre style, the pageantry - those experiences, you truly have to live. Television or social media doesn't do it justice.
My first coach was my brother Ken. He taught me submission wrestling, the catch-as-catch-can style that he was famous for. Then I trained in Japan with Funaki and Suzuki. Then I learned jiu-jitsu and sambo with Oleg Taktarov and Gokor Chivichyan.
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
My style icons are Lucille Ball for her bouffant hair and all the updos, James Dean for his rockabilly style - the denim and rolled-up T-shirt thing. And I am also inspired by Dita Von Teese and Gwen Stefani. Their style is retro, but it's still very feminine at the same time.
I think style is being so comfortable and confident in what you're wearing. That's what style is, 'cause everybody's got different style.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
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