A Quote by Florence Pugh
I think you're always attracted by characters that are a little bit like you, or at least the worst parts of you that you can finally accept and say, 'All right, at least I know that now!'
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I have optimism and am incredibly hopeful for the future. I often say to friends, it's always darkest before the dawn, and lets be frank there's a lot of darkness out there right now, at least at a macro level. But once you drill down through that I think there's so much light, or at least the chance for it to erupt and illuminate the dark.
I think Daniel Murphy definitely is premeditated what he'd like to do. He's very good about not missing his pitch when he sees it. I know the ball has to look like at least a softball right now, at least, maybe more to the beach ball variety. He's seeing everything that well. He's a good hitter that is seeing the ball really well right now, and you have to make good pitches to get him out.
I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
The path of compassion leads to the development of insight. But it doesn't work to say, "Ready, set, go! Be compassionate!" Beginning any practice depends on intention. Intention depends on intuiting-at least a little bit-the suffering inherent in the human condition and the pain we feel, and cause, when we act out of confusion. It also depends on trusting-at least a little bit-in the possibility of a contented, satisfied mind.
Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.
I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.
It happens a little bit more in the West, where there's more fluid - where everybody's originally from somewhere else. So they have a little bit more permission to do it. It happens the least, at the individual level at least, in the South, because the South has very strong, you know, set up black churches and white churches and a long history of that, and so it's a bigger social cost.
A lot of action characters are a little bit too serious as well. They take themselves a bit too seriously, which I don't find particularly interesting, whereas I like the fact that there was at least some humor in this because really it's a piece of entertainment.
I think anybody who is writing finds he puts a little bit of himself in all of the characters, at least in this kind of a strip. It's the only way that you can survive when you have to do something every day. You have to put yourself, all of your thoughts, all of your observations and everything you know into the strip.
A novel quite possibly won't be good and, even more possibly, will have not-good parts, but at least it won't shape-shift on you; at least you can say that you're halfway through and know that this maps onto some clear, visualizable chunk of narrative.
If we turn our backs on the remaining industries and not reinvest in these places and just say 'You're on your own,' we will lose an entire generation of people that have no other options, other than to turn to somebody like Donald Trump and say, you know, 'Wow, he at least gets me. He at least cares. He at least pays lip service.'
Stylistically, though, I've always liked Carlos Condit, because he at least amounted to at least the level of doing what I do. I mean, but I think he stands a little upright.
When I made it, I still didn't wave the flag and say, Yeah go Asian people. I do want people to know that about me, but I always felt like at least musically, let me just do what I do and be the best at it. Which is what I'm doing right now.
You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
I think this is the most exciting time to be alive right now. We have a black president. There are transgender movies and media out there now. Gay characters are playing non-stereotypical versions of themselves. I feel like as a society, or in television at least, we're rising up. Even in society we're rising up.
I've always kind of thought that reviews written by readers for readers are a kind of private space between consumers. It's their right to say anything they like about your material, and authors need to know that and respect that. As for my end, I'm aware of what my sales are, so I know that my books are working in the marketplace, at least for now, and beyond that, I have to just do my thing and stay focused.
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