A Quote by Francesca Gregorini
The more personal you get, the more universal a story you end up telling.
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What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
All children mythologise their birth. It is a universal trait. You want to know someone? Heart, mind and soul? Ask him to tell you about when he was born. What you get won’t be the truth: it will be a story. And nothing is more telling than a story.
Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear.
There is really no spiritual message that I'm trying to convey with my music, it's just a personal thing. I really believe that the more personal we get, in a way, the more universal the implications.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
Photojournalism is photography with more story telling. A single image can be amazing and dramatic. I started out shooting individual images, but I found I wanted to have more of a voice: to actually say something. I wanted to do something more personal over a long period of time, with more authorship.
I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control.
Telling a story is like trying to eat grapes with a fork. It's always trying to get away from you. And if you're a good author, and you've challenged yourself, and you're telling big stories, there's more and more that's trying to get away from you simultaneously.
The more personal you make something, the more universal it becomes, because essentially we're all made up of the same emotional stuff.
I do believe this to be the over-arching philosophy behind most of the books I've fallen in love with over the years. The more personal and heartfelt the story is for the author and/or illustrator of the book, the more universal the emotion that can be gleaned from it.
The more uncompromisingly specific you are the more you end up touching the bigger universal truths.
The magic of fiction seems to be the more specific you are, the more universal you end up becoming.
It's very dangerous for a storyteller to walk into a situation with a political agenda because you end up telling a story about issues instead of telling a story about people.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.
As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes.
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