A Quote by Francis Ford Coppola

I always think upon Lee Strasberg with warmth, and reviewing his wisdom is a pleasure. — © Francis Ford Coppola
I always think upon Lee Strasberg with warmth, and reviewing his wisdom is a pleasure.
I left my career in Hollywood, moved back to New York, and went to Lee Strasberg and studied with him for the rest of his life.
For the actor, The Lee Strasberg Notes are an indispensable companion.
Subliminally, I had always wanted to act. Although I had only performed in a couple of plays, I was serious about it and was subsequently trained by people like Lee Strasberg and Elia Kazan.
I started teaching when I was in my 20s because Lee Strasberg asked me to, and he didn't do that with a lot of people.
I studied philosophy at Columbia, then dropped out to do drama at the Lee Strasberg Institute.
God doth not govern the world only by his will as an absolute monarch, but by his wisdom and goodness as a tender father. It is not his greatest pleasure to show his sovereign power, or his inconceivable wisdom, but his immense goodness, to which he makes the other attributes subservient.
As I got older, I would study privately with some coaches. Then I found Lee Strasberg, which I loved.
I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
I trained as an actor with Lee Strasberg, Elia Kazan, and Harold Clurman, and those guys set a very high bar.
There are still actors who use emotional memory, affective memory, which was Lee Strasberg's emphasis, not his total emphasis. She taught everything at the Actor's Studio. But nevertheless, she felt that it impeded her.
I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.
I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
I never felt Lee Strasberg could act, and I fail to see how someone who can't act can teach acting.
It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.
I studied acting for 10 years before I went for an audition. I studied with Lee Strasberg and Actors Studio teachers, and went to the High School of Performing Arts.
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