I always knew what I thought the theme was, the core, in one word. In 'The Godfather' it was succession. In 'The Conversation' it was privacy. In 'Apocalypse' it was morality.
I thought, because of 'The 100' and 'Apocalypse,' that I knew everything about what life after an apocalypse would be - but Ryan Murphy and the writers of 'American Horror Story' have shown a whole other side of an apocalypse.
I'm a huge Coppola fan. But more of 'Apocalypse Now' and 'The Conversation.' 'The Godfather' for me is, like, number three or four on the list.
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
This has been a learning experience for me. I also thought that privacy was something we were granted in the Constitution. I have learned from this when in fact the word privacy does not appear in the Constitution.
I remember in The Conversation, they brought all these coats to me, and they said: Do you want him to look like a detective, Humphrey Bogart? Do you want him to look like a blah blah blah. I didn't know, and said the theme is 'privacy' and chose the plastic coat you could see through. So knowing the theme helps you make a decision when you're not sure which way to go.
Always aim at complete harmony of thought and word and deed. Always aim at purifying your thoughts and everything will be well. There is nothing more potent than thought. Deed follows word and word follows thought. The word is the result of a mighty thought, and where the thought is mighty and pure the result is always mighty and pure.
I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'
Horror stories give us a way of exhausting our emotions around social issues, like a woman's right to an abortion, which I always thought was the core of 'Rosemary's Baby,' or the backlash against feminism which I always thought was the core to 'Stepford Wives.'
A child born today will grow up with no conception of privacy at all. They'll never know what it means to have a private moment to themselves an unrecorded, unanalysed thought. And that's a problem because privacy matters, privacy is what allows us to determine who we are and who we want to be.
I stopped living according to my core values. I knew what I was doing was wrong but thought only about myself and thought I could get away with whatever I wanted to.
Francis [Ford Coppola] was on the cover of Time Magazine for One From The Heart and for owning a studio, and he was fresh off of Apocalypse [Now] and The Godfather films, so he was at the absolute top of his game and legend [in The Outsiders ].
A right to privacy is at the very foundation of American freedoms. It's a core value. It's a mistake to undermine a core value because we don't like the way a billionaire exercises it.
The apocalypse is not something which is coming. The apocalypse has arrived in major portions of the planet and it’s only because we live within a bubble of incredible privilege and social insulation that we still have the luxury of anticipating the apocalypse.
I'm very particular about the pizza that I eat. Godfather's is still a premium-quality product, and I cannot always find that. It's got to be as good as Godfather's or I won't eat it.
I always thought that "humanist" was a good word long before I understood that anyone thought it was a bad word.
When the social network doesn't find it convenient to have privacy, we say, "Okay, social network, you don't want privacy, maybe we won't have it either." But we did this without having the conversation.