A Quote by Francis Ford Coppola
The very earliest people who made film were magicians.
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I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
Magicians are the people who began to use film as an illusion on stage.
One of the earliest memories I have of feeling the power of film music was watching Willy Wonka & the Chocolate Factory. That was a really clear epiphany for me, when I realized that each film has its own music, and that there was someone out there who wrote this very specific music for just this one film.
There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.
Studies of the people named and described in earliest Christian texts show that, right from the earliest years, they included craftsmen, merchants, and owners of businesses. Of course, there were also slaves and poor among believers. By at least the second century, there were also believers from upper levels of Roman society.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
My earliest memories are of the civil rights era. My earliest experiences were rage.
People have all these preconceived notions about magicians, like that they're lonely and bitter or they're socially awkward people. I don't know what magician hurt all these people, but I'm constantly having to overcome all these stereotypes. So, no. I'm sure there are just as many magicians who are lonely and bitter as there are comedians, lawyers, or any profession.
My dad made a film called 'Willow' when he was a young filmmaker, which screened at the Cannes film festival, and people were booing afterwards.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
I was born illegitimately and almost immediately, as I understand it, placed in an orphanage. So my very earliest memories were in an orphanage. It was the tag end of the Great Depression when I was born. People were desperately poor.
Ive said its a little bit like a magician performing for a convention of magicians... all the magicians in the audience watching this illusion-Do they see the illusion, or do they see the device that made the illusion? Probably they see a little of both.
My earliest drawing is a supposed Carracci. It wasn't very expensive, I guess, because they don't know if it's a real Carracci. But it has all these seals on it of people who've owned it, and one of the great portrait painters of England, Reynolds, had owned it, so that's the earliest.
That's the imagination that happens in the theater. That imagination is translated in film by the film magicians and all the technology.
I have nothing but gratitude for the people who made the film. It was a most unusual experience. I'm no judge, and the only film I've ever seen made was Mockingbird, but there seemed to be an aura of good feeling on the set. I went out and looked at them filming a little of it, and there seemed to be such a general kindness, perhaps even respect, for the material they were working with. I was delighted, touched, happy, and exceedingly grateful.
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