A Quote by Francis Ford Coppola
Frank Capra was a prop man, I think. John Ford was a prop man. It was a little bit of a father and son thing, and you kind of worked your way up.
Related Quotes
The negative way [of describing God] is a cardboard prop of Christianity to conceal its unknowable God. When this prop collapses, theistic agnosticism emerges, complete with its package of contradictions and non-sensical utterances.
Nothing creative functions well when fenced in or leaning on a prop. A contract is a fence and a prop.
Conceit may puff a man up, but never prop him up.
I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
I love bad comedy more than I love good comedy, so I love open mics. Or I used to. But the thing that delights me more than anything else in an open-mic performer is when the comic has one joke that requires some kind of prop. But only one. The prop is always produced very awkwardly, and it never, ever pays off. The resulting embarrassment is savory and delicious.
Tim Conway was a little different from the rest. He was always in the back of the studio building something with the prop man, rewriting his lines, or plotting our demise.
The wagering thing for a lawyer is very interesting. Will there be mobile sports wagering? Will there be mobile prop betting? Conceivably, someone sitting in basketball area placing prop bets on a mobile phone while the individual is 10 feet from the court? Some of the possibilities are angst-producing.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.
John Goodman is like the Jackie Chan of acting. Any prop that you put in front of him, he's going to take advantage of it in some peculiar way.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
Our mind is dark in some way, and so we use rhetoric as a kind of prop or foil.
June Cleaver didn't keep her house in perfect order, the prop man did it.
Woman gives herself as a prize to the weak and as a prop to the strong and no man ever has what he should.
I got to watch Frank Capra, in his eighties, in action. You read all the stories about Frank Capra fighting with the head of Columbia, Harry Cohn, "It's my way or the highway." I got to watch that. He lambasted me, "You cannot do this. You will fail." Finally, after another hour of conversation, I convinced him to help me write the speech.
John Lee Hancock is someone that I had admired from afar. I think he is a wonderful director... in the tradition I would say both of Clint Eastwood and Frank Capra.
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