A Quote by Francis Ford Coppola

I had to get a job, and of course, the job was 'The Godfather.' That made me be something I didn't know I was going to be. I became a big-shot director. — © Francis Ford Coppola
I had to get a job, and of course, the job was 'The Godfather.' That made me be something I didn't know I was going to be. I became a big-shot director.
I think that one of the things that we have to recognize is that the longer somebody doesn't have a job, the harder it is to get a new job. You know, the reality is that if you're out of job, and you're looking for a job, then the new employer's going to say, 'Well, why, you know, don't you have a job now? What's wrong with you?'
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
I was on a couple of scholarships. I had a job in the school administrative office. I had a job as a hat-check boy in a restaurant. I had another job as an assistant to a casting director. It took a lot to get myself enough money to put myself through Juilliard.
I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.
If you've never been on anything before, they're not going to take a risk and give you a huge job 90 percent of the time. There are exceptions to that. I certainly wasn't an exception to that. I had to pay my dues big time, but I wish somebody would have explained, 'Look, your job is not to get work. Your job is to get better.'
What's interesting as a director, and even studio executives don't understand this, is that if you're directing a $200 million movie with six million people, it's the same as directing a $25,000 movie with three people. The director's job is, "You stand there and do that," or "This is the shot I want." The logistics change, but the job remains the same. And I enjoy the job.
Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job
If you didn't get it right and then you have to release a director's cut to undo what the studio made you release, I don't know, either it's some marketing thing for them to get more money or the director didn't do his job.
Work is fun to me. All those years of being an actor and a director and not being able to get a job - two weeks is too long to not know what my next job will be.
I'm hired to do a job. They expect me to do a job, and that job requires me to get my butt up and get back to the huddle, get the play and go do it another time. And until I can't physically get up, I'm going to do that.
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
Something snapped inside her. “Of course I’m afraid! Relationships do bad things to me.” He started to respond, but the pain had gone on long enough, and she didn’t want to hear it. “You know what I want? I want peace. I want a good job and a decent place to live. I want to read books and listen to music and have time to make some female friendships that are going to last. When I wake up in the morning, I want to know that I have a decent shot at being happy. And here’s what’s really sad. Until I met you, I was almost there.
I'm not going to pursue it the way that actors pursue it which means going to all of the auditions and getting a job and all that stuff, because I don't really need to get a job because I have a job as a writer/director. That's how I make my living mostly now. So I don't need to make a living as an actress.
Music is my life. The last job I had, I was a bricklayer's apprentice. And I was happy with that job, too, because it was something that made me feel good. To build a wall for the side of a building felt really good to me.
We will stay the course until the job is done, Steve. And the temptation is to try to get the President or somebody to put a timetable on the definition of getting the job done. We're just going to stay the course.
My dad was a lovely guy. I had great parents. But he was a conservative shopkeeper, and he said, "Look, I don't know how to help you as an actor, but if you want to be an actor, give it a go for a year. Get a job. And if you don't get a job, then we're going to reevaluate and you're going to go back to school." And I thought that was a fair thing.
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