A Quote by Francois Truffaut
During the war, I saw many films that made me fall in love with the cinema.
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Acting began as a casual thing, but along the way, I did films like 'Happy Days,' '100% Love,' and 'Baahubali' that made me fall in love with cinema. I can't imagine being in any other profession.
I was inspired by Maya Deren because she was the first woman filmmaker whose films I saw. I also loved Fellini and Goddard because they were so different from Hollywood films. But when I saw the cinema verite films that were made by Drew Associates with Leacock and Pennebaker I found my passion.
For me, those little cinemas in Paris where I saw many art films for the first time meant that cinema became a kind of pilgrimage site.
People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.'
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
I made so many films I thought were great and they turned out horrible, and I made films I did not believe in at all, and 'Shadow Of The Vampire' was one of these films I did not believe in during the shooting. And then when I saw it I was surprised what they had made out of it. They edited for quite a long time.
Romantic love is mental illness. But it's a pleasurable one. It's a drug. It distorts reality, and that's the point of it. It would be impossible to fall in love with someone that you really saw. The second you meet someone that you're going to fall in love with you deliberately become a moron. You do this in order to fall in love, because it would be impossible to fall in love with any human being if you actually saw them for what they are.
Let me be very frank. I make films keeping within the mainstream and my cinema is popular cinema. I love it this way.
I don't even watch many huge films. I don't go to the cinema every weekend. I watch selective cinema and want to make my kind of films.
I care about cinema even though I haven't made many films.
I watched films growing up, but no more than the next guy, really. Working on 'Hugo' made me appreciate cinema and the art of cinema a lot more.
I lived within walking distance of Harvard Square, and that's where I discovered my love of cinema. I saw a lot of foreign and independent films there.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
There are quality films being made in all languages, whether in Hindi cinema, Bengali or the south. Bollywood doesn't represent Indian cinema, per say.
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