A Quote by Francois Truffaut
At first, I wasn't sure whether I'd be a critic or a filmmaker, but I knew it would be something like that.
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The hardest thing in the world is being a critic of your own work. For me time has always been the best critic. If I can put something away and then come back, it's like taking a painting you're working on, turning it upside down, squinting at it, or walking away to get a new view. Time helps you know whether it's worth saving or whether it should be dumped.
I don't have any bone to pick with critics. In fact, if I wasn't a filmmaker I would probably be a film critic. Most of my bone is I would be a better film critic than most of the film critics I read.
I'm not sure I would want to be a filmmaker, because I've seen how many people they have to go through in order to create their own movie. It doesn't seem like something I can imagine putting myself through.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
At the end of the day, it seems like there's a critic archetype for food movies, like with 'Ratatouille' or anything. You know, if you were doing a puppet show about chefs, one puppet would be the chef, one would be the critic.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
Whether we knew many who died on September 11 or personally knew none, we all lost something on that day. Innocence. Security. A trust that our homeland would always be safe.
I am one of the Clave. It's in my blood and bones. So tell me, if you're so sure this wasn't my fault, why is it that the first thought in my mind when I saw Abbadon wasn't for my fellow warriors but for you?" His other hand came up; he was holding her face, prisoned between his palms. "I know-I knew-Alec wasn't acting like himself. I knew something was wrong. But all I could think about was you.
Mike, however, heard nothing at all. Lost in her breathlike touch, he knew only one thing for sure: In the instant their lips first met, there was a flicker of something almost electrical that made him believe the feeling would last forever.
If I knew you and you knew me- If both of us could clearly see, And with an inner sight divine The meaning of your heart and mine I'm sure that we would differ less And clasp our hands in friendliness: Our thoughts would pleasantly agree, If I knew you and you knew me.
I try to imagine keeping something like that a secret for my whole life. It would be like always wearing a mask over your face, which everyone believed was the real you. You would be the only person who knew it wasn't--and who knew that you could never take it off.
I knew I needed to make a studio film - not for any financial reason, but because, as a filmmaker, and especially as a female filmmaker, you have to break through the glass ceiling.
When I first got into wrestling, guys my size weren't really being signed to WWE like they are today. But deep down, I knew if I worked as hard as I possibly could, it would eventually happen. Timing is everything, that's for sure.
I think Frank Capra was a much craftier filmmaker, a wonderful filmmaker. He had enormous technique, and he knew how to manipulate the public quite brilliantly.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
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