A Quote by Francois Truffaut

The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary. — © Francois Truffaut
The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
John's baptism...was a radical act of individual commitment to belong to the true people of God, based on personal confession and repentance... This is one of the main reasons that I do not believe in baptizing infants, who cannot make this personal commitment or confession or repentance. John's baptism was an assault on the very assumptions that give rise to much infant baptism.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
Film is like a personal diary, a notebook or a monologue by someone who tries to justify himself before a camera.
I always had music growing up, but music was also like a journal. It was like my personal diary or personal journal. A lot of the things I couldn't express to an individual, I would express them in my music.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Confession heals, confession justifies, confession grants pardon of sin, all hope consists in confession; in confession there is a chance for mercy.
What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
I know the Pollock novel. Read it last year and liked it. Daniel Woodrell is awesome. I especially like the book Winter's Bone, and the film made from it. Larry Brown is terrific, all his work, but for me Joe in particular, also a good film, but a much better novel.
Late night is no different than making a film, really, except that it's faster, and if you do a crap one, you can do a better one tomorrow. Writing a novel and doing stand-up - that stuff is very similar.
Get up tomorrow early in the morning, and earlier than you did today, and do the best that you can. Always stay near me, for tomorrow I will have much to do and more than I ever had, and tomorrow blood will leave my body above the breast.
If I can give a young author any advice, whatsoever, never let anyone announce the film sale of your first novel. Film rights are sold to almost every novel, but it shouldn't be the lead story in your first engagement with the press. Then you end up getting reviews like "a novel made for the screen" and things like that.
Remember this your lifetime through: Tomorrow there will be more to do. And failure waits for all who stay With some success made yesterday. Tomorrow you must try once more, And even harder than before.
The Smiths was an incredibly personal thing to me. It was like launching your own diary to music.
The first thing I would like to tell you about death is that there is no bigger lie than death. And yet, death appears to be true. It not only appears to be true but also seems like the cardinal truth of life - it appears as if the whole of life is surrounded by death. Whether we forget about it, or become oblivious to it, everywhere death remains close to us. Death is even closer to us than our own shadow.
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