A Quote by Francois Truffaut
I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
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My days are always changing, as some days, I'm on a shoot, or I will be DJing in the middle of the day or evening.
On staring out at a gloomy day: First you must realize that it is the day that is gloomy, not you. If you want to be gloomy, too, that's all right, but it's not mandatory.
'You Can Count On Me' took 20 days to shoot, and we had 50 days to shoot 'Margaret.'
Be merry all, be merry all,
With holly dress the festive hall;
Prepare the song, the feast, the ball,
To welcome merry Christmas.
O merry, merry, merry, like only dogs know how to be happy and nothing more, with an absolute shameless nature.
Christmas a humbug, uncle!" said Scrooge's nephew. "You don't mean that, I am sure?" "I do," said Scrooge. "Merry Christmas! What right have you to be merry? what reason have you to be merry? You're poor enough.
My merry, merry, merry roundelay
Concludes with Cupid's curse,
They that do change old love for new,
Pray gods, they change for worse!
The long sleep of Mother Goddess is ended. May She awaken in each of our hearts - Merry meet, merry part, and blessed be.
It used to take us six days to film an hour of 'Gunsmoke.' But I didn't mind the fast pace of soap opera work. It was nice being able to shoot scenes in sequence. We couldn't do that on 'Gunsmoke.'
I am just pitifully nostalgic. I can't help but roll my eyes at myself frequently. I mean, I still shoot black-and-white film. And I am constantly reminiscing about the 'good old days.' I'm 28 years old. There haven't even been that many 'good old days.' But still, I love to look back.
Merry Christmas, movie house! Merry Christmas, Emporium! Merry Christmas, you wonderful old Building and Loan!
It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.
If I have a big shoot coming up, I do low-carb, no red meat, and earlier dinners. And I just tell myself that sure, maybe I cannot eat all the things I'd love to today. But there are many more days in the week, and that perfect bite will come when I'm done with whatever shoot.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.
For the good are always the merry, / Save by an evil chance,/ And the merry love the fiddle,/ And the merry love to dance: / And when the folk there spy me,/ They will all come up to me, / With,”Here is the fiddler of Dooney!” / And dance like a wave of the sea.
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