A Quote by Frank Capra

In our film profession you may have Gable's looks, Tracy's art, Marlene's legs or Liz's violet eyes, but they don't mean a thing without that swinging thing called courage.
One thing you gotta take into consideration is that it's professional wrestling, and you know it going in. There's dangers to every profession, and our particular profession, concussions is one thing.
Yes, I mean, I used to be into the big bulk thing, and that's why my legs look like those of a cyclist instead of a shooter's, but I think there is a point to where too much is not a good thing. I think I try to lower my center of gravity by doing a lot of legs.
The thing that really breeds career longevity in this profession is doing good work. You can make $20 million a movie, but does that mean you'll still have a job when you're 60? It's a profession that eats people up and wants constant turnaround, so you have to dedicate yourself to learning and making the most of whatever gift you may have.
Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe. "Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak.
For instance, this new idea that You-Know-Who can kill with a single glance from his eyes. That’s a basilisk, listeners. One simple test: Check whether the thing that’s glaring at you has got legs. If it has, it’s safe to look into its eyes, although if it really is You-Know-Who, that’s still likely to be the last thing you ever do.
What is Zen? Zen is looking at things with the eye of God, that is, becoming the thing's eyes so that it looks at itself with our eyes.
We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
Are they real fires? Or are people just reacting to something? Just because there’s an alarm going doesn’t mean it’s a fire. And I think that people are confusing the two. It’s only a fire when it offends the fans, and the fans turn on you. Tosh has fans, and they get the joke. If you’ve watched enough Tracy Morgan, you let the worst thing go by. When did Tracy Morgan become Walter Cronkite? You have to mean something to me to offend me. You can’t break up with me if we don’t date.
My first film festival and my first film that I've ever been in, 'Martha Marcy May Marlene,' that was at Sundance.
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
Tracy, the leader of the CDH group, looks at me with eyes that seem to belong to someone three times her age. It's something beyond wisdom, all the way to insanity and back. It's like her eyes are scarred from all the things she's seen.
Make your life your art. It doesn't have to be that you're an artist. I know I talk about art a lot, but I mean a very broad thing with that. You could be a veterinarian, that's your art. Find your art; find your thing you love.
There is only a perspective seeing, only a perspective 'knowing'; and the more affects we allow to speak about one thing, the more eyes, different eyes, we can use to observe one thing, the more complete will our 'concept' of this thing, our 'objectivity,' be.
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
There's also an aspect which I tried to express yesterday by saying the same "something" that looks out through Curlys eyes is also the same exact thing which looks out of Moe's eyes, and that's harder for people to grasp. So the thing is, you have to find a way to ultimately embrace both sides or else you can't function. If you only embrace the side of pure oneness then you end up sort of spacing out and sitting under a blanket.
Violet! sweet violet! Thine eyes are full of tears; Are they wet Even yet With the thought of other years?
This site uses cookies to ensure you get the best experience. More info...
Got it!