A Quote by Frank Darabont
Visual storytelling of one kind or another has been around since cavemen were drawing on the walls.
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Wood heat is not new. It dates back to a day millions of years ago, when a group of cavemen were sitting around, watching dinosaurs rot. Suddenly, lightning struck a nearby log and set it on fire. One of the cavemen stared at the fire for a few minutes, then said: Hey! Wood heat! The other cavemen, who did not understand English, immediately beat him to death with stones. But the key discovery had been made, and from that day forward, the cavemen had all the heat they needed, although their insurance rates went way up.
Simply put, Cavemen's diet is a diet plan which suggest food eaten by the cavemen. Cavemen ate what was available - like meat, vegetables and a few nuts. What we grow for food is carbohydrates, and that leads to weight gain. I started this diet a few years ago, and ever since, I haven't had carbs at all.
I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.
Because storytelling, and visual storytelling, was put in the hands of everybody, and we have all now become storytellers.
I've been drawing my whole life. My mom says my sister and I were drawing by age 1. Animation seems a real, natural extension of drawing as a way of telling a story visually.
Lies are just another kind of storytelling, but with the very distinct and enlivening motive of desperation. Since writers are by nature desperate creatures, they usually do a pretty good (or pretty awful, but always interesting) job of lying.
I think that weddings have probably been crashed since the beginning of time. Cavemen crashed them. You go to meet girls. It makes sense.
I have been drawing and creating visual works my entire life, as long as I can remember.
A game of chess is a visual and plastic thing, and if it isn't geometric in the static sense of the word, it is mechanical, since it moves. It's a drawing; it's a mechanical reality.
Ever since human beings learned to talk to each other, we've been fascinated with storytelling of every kind. Blessed (or cursed) with insatiable curiosity, we have to know what happens next.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
In 6,000 years of storytelling, [people have] gone from depicting hunting on cave walls to depicting Shakespeare on Facebook walls.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
I really enjoy blocking and staging. I think most of visual storytelling is camera placement and how to stage action around the camera.
Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes. I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and the colors around it and what it will really look like. It's only a guess at the beginning, and then I try to refine it.
At fourteen, my sister sailed away from me into a place I’d never been. In the walls of my sex there was horror and blood, in the walls of hers there were windows.
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