A Quote by Frank Fairfield

I don't care too much for thinking about the past. The truth is just another story. You can remember it any way you want; it's never gonna be the same twice. — © Frank Fairfield
I don't care too much for thinking about the past. The truth is just another story. You can remember it any way you want; it's never gonna be the same twice.
There's no solutions to prevent corruption because it's the same thing as putting soldiers in an occupation in a foreign territory - there's too much that's gonna go wrong. There's too much human behavior that's going to get in the way. So you're gonna have to start thinking about it in a different direction, and the different direction is: what is wrong with society?
Truth is always here. That's the only way truth can be. Truth cannot be anywhere else. The only time it can be is here, and the only place it can be is now. But the mind is never here and is never now. Hence, mind and truth never meet. The mind goes on thinking about truth, and the truth goes on waiting to be realized, but the meeting never happens. The meeting is possible only if mind stops functioning, because mind means the past, mind means the future. Mind is never here-now. Whenever you start thinking, you are going astray. If you stop thinking, suddenly you are at home.
You know, I don't think a lot about why one book connects with its readers and another doesn't. Probably because I don't want to start thinking, "Am I popular?" I spent way too much time thinking about that in high school.
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
I hate being too serious about anything. If I'm with my friend, I want to be having fun with him or her. And if anybody is reading my story, I want them to be not only reading the story, but I want them to feel they're having fun; that they're enjoying it. So any way you can make it more informal, more fun-filled, more amusing - instead of just a dry story that goes on and on - if there's any way to do that, I like to try and do it.
I remember the day I saw my hair was thinning. I don't remember caring much. I don't care. It's just hair. It never bothered me much. I was pretty young, too. And it happened and is happening very slowly. I have a feeling dead people get really mad when we complain about losing hair.
...and like a fool who will never see the truth I keep thinking something's gonna change There's a danger in loving somebody too much And it's sad when you know it's your heart they can't touch There's a reason why people don't stay who they are Baby sometimes love's just ain't enough
[Feminists think difference in men and women] is all social. It is all about social cliches and pressures, that if you just leave boys and girls alone they're gonna grow up and be identical. They're gonna be the same in the way they look at life, the way they find things interesting. Nothing could be further from the truth.
The way I photograph... in many ways it's directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it's the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there's just too much chance. And I never put it on pause, or use any of that fancy equipment.
I work pretty quickly. I'd probably draw somebody once or twice in pencil, then just go to ink. Not really care too much about it, and it just kind of worked out.
I am wary of repeating myself too much. In this age of Netflix, as a Netflix show, if you want to go back and watch a season 1 episode, you can do that easily. I'm not interested in repeating the same story beats over and over and over again. But part of the truth of BoJack story is about how much he repeats himself and these patterns that are difficult to get out of. I'm trying not to be evasive about that. I'm not using that as an excuse. I think that's convenient to fall back on as a TV writer: "Oh, it's a show about stagnation."
All stories are true,” Skarpi said. “But this one really happened, if that’s what you mean.” He took another slow drink, then smiled again, his bright eyes dancing. “More or less. You have to be a bit of a liar to tell a story the right way. Too much truth confuses the facts. Too much honesty makes you sound insincere.
Barak Obama said as much today talking about immigration. (imitating Obama) "I don't care what happens today. It is gonna happen. We are going to have comprehensive immigration reform. We're gonna have amnesty for these 11 or 12 million. It's gonna happen. You just wait." And that's the way they go about it. Defeat is not something that, in their minds, is lasting.
We care too much about what happens to be there as a result of history. I worry even more that we care too much for the past and not enough for the present and the near present.
I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your 'moment,' or whatever. The story is a lot bigger than you, and you're there to help it along.
This site uses cookies to ensure you get the best experience. More info...
Got it!