A Quote by Frank Moore Cross

We want to live in ambiguity. This is the human condition. — © Frank Moore Cross
We want to live in ambiguity. This is the human condition.
I don't think most people are all heroic or all villainous, so I find ambiguity of motivations to be a natural human condition.
The literary story is a story that deals with the complicated human heart with an honest tolerance for the ambiguity in which we live. No good guys, no bad guys, just guys: that is, people bearing up in the crucible of their days and certainly not always - if ever - capable of articulating their condition.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
The character of human life, like the character of the human condition, like the character of all life, is "ambiguity": the inseparable mixture of good and evil, the true and false, the creative and destructive forces-both individual and social.
I want the audience to think about how many people are hiding in the shadows with the condition. I want the film to take away the stigma of thinking of this as a disease and an illness to be crushed. I want those in the condition to shine and contribute to the human spirit.
Screw ambiguity. Perversion and corruption masquerade as ambiguity. I don`t trust ambiguity. John Wayne
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
As a novelist, your impulse is toward multiplicity: multiple voices, multiple perceptions, multiple nuances, the ambiguity in human communication. Fiction really is the ultimate home for that sense of ambiguity.
I think if a poet wanted to lead, he or she would want the message to be unequivocally clear and free of ambiguity. Whereas poetry is actually the home of ambiguity, ambivalence and uncertainty.
Anybody who believes and experiences their life and doesn't have shades of gray in it doesn't live where I live and is simply not in touch with the reality of the human condition.
I think you have to live inside your contradictions and find a way to accept that that's the human condition - to be forced to live in contradiction.
The ambiguity of poetic language answers to the ambiguity of human life as a whole, and therein lies its unique value. All interpretations of poetic language only interpret what the poetry has already interpreted.
The mark of a mature, psychologically healthy mind is indeed the ability to live with uncertainty and ambiguity, but only as much as there really is. Uncertainty is no virtue when the facts are clear, and ambiguity is mere obfuscation when more precise terms are applicable.
The literary story is a story that deals with the complicated human heart with an honest tolerance for the ambiguity in which we live.
We live in this culture where there are so many things that want us to pretend that we’re not truly human. That we can be exempt from the human condition, either through intelligence or accomplishment or success or humor. Bu biologically we’re all the same. We all get sad, we all get happy, and we all die. Anyone who pretends that that’s not the case is either a sociopath or utterly delusional.
The business of fiction is the study of the human condition, and gender is something that many humans are obsessed with, thus making it rather difficult to ignore when studying the human condition!
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