A Quote by Fred MacMurray

You know pretty well that when you're in a scene with a dog, everybody looks at him. I know I do. — © Fred MacMurray
You know pretty well that when you're in a scene with a dog, everybody looks at him. I know I do.
I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.
How do you have a think in pictures? Well, you have to sort the pictures into categories. You know, for example, a dog knows that, you know, there's good people and there's bad people. And I talked to a lady the other day where her dog was afraid of people with white beards because she had adopted him from an animal shelter and somebody with a white beard had abused him. And this dog was now afraid of everybody that had a white beard. That was the bad category.
A dog is like a liberal. He wants to please everybody. A cat really doesn't need to know that everybody loves him.
The scene in the DMV now is very united. I don't know if it's for everybody but everybody is showing love, everybody is showing support. Everybody is just trying to make a name for themselves and they are willing to help other people. Everybody is willing to network and do things with people outside of who they know.
That was sheer luck that it [being immersed into folk scene] happened when my voice began to develop. I don't know exactly what would have happened if I hadn't been alive and well and really lively in the Cambridge scene. But (the folk scene) was, and I fell into it absolutely naturally in the little coffee shops, and pretty soon it was Newport and then it was an overwhelming response internationally, actually.
Well, look, man, I know that Corey Sanders is a player that I've watched for a long time. I love him. I think he has that dog in him.
I got to know the cast pretty well. Not so much Leonard Nimoy, I got to know William Shatner pretty well. They are a pretty good gang. The production company that made 'Star Trek' is the kind of production company that likes to have fun.
A dog will stay stupid. That's why we love them so much. The entire time we know them, they're idiots. Think of your dog. Every time you come home, he thinks it's amazing. He has no idea how you accomplish this every day. You walk in the door; the joy of this experience overwhelms him. He looks at you, He's back. It's that guy, that same guy. He can't believe it. Everything is amazing to your dog. Another can of food? I don't believe it.
I let the dog out, or I let him in, and we talk some. I let him know I like him, and he lets me know he likes me.
You know how everybody has that one weird creepy uncle? Well, Seth Green looks like he got raped by all of them.
There was a guy that I got to know pretty well - Joe Grant. He was one of the creators of Dumbo and worked side-by-side with Disney. Being a total Disney nerd, I was obsessed with asking him questions. He was 92 when I got to know him.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
You know, when you have a father who's pretty well known but you don't see him, the last thing you want to do is start talking about him all the time to people.
We used to have a dog named Snoopy, you know, a real live dog. I suppose people who love Snoopy won't like it, but we gave him away. He fought with other dogs, so we traded him in for a load of gravel.
We all know him: everybody has an Archie Bunker in their family, so you love to laugh at him, and you never take it personally; everybody just has a ball laughing at him.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
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