A Quote by Freddie Wong
Content financing is a difficult beast no matter what era of Hollywood we're talking about.
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If you hear people talking about the Golden Era of rap, they're usually talking about the early Wu Tang Clan era and then Nas and Biggie and so on. But for me, it goes back to the '80s - 1986 to 1989.
Talking about performance is such a strange thing because it's so immaterial. We are talking about soft matter. We are talking about something that is invisible. You can't see it. You can't touch it. You just can feel it.
Hollywood is a peculiar beast - people in Hollywood are nuts.
The film industry is so fickle about financing, and it's so difficult to get movies made.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
I'm an independent filmmaker with complete creative control of my films. I hire who I want. I have final cut. But at the same time, I go directly to Hollywood for financing and distribution. I find it's best for me to work within the Hollywood system.
They're talking about a movie I don't want to hold to that because in this business you can talk about things for years before they get done - god knows if the financing would happen.
People in this world of superficial communication find themselves isolated and lonely and have difficult in talking about personal things that really matter to them.
Hollywood is one of those places where, traditionally, money has come from - along with New York, Texas, Florida, Silicon Valley in northern California and the unions. But because of the Internet and the way campaigns are financed these days, you don't need traditional financing as much as you used to - and Barack Obama has tapped into that in a big way. But at the end of the day, people in Hollywood care more about [the presidency] than just the trappings of it and the surface type stuff. They care about the issues.
On just a personal level, since I was little, I've loved fairytales, especially this one, because it is about what goes into making a beast a beast. Do you start as a beast? Do you turn into a beast because of the way that people treat you? I think it's something that is really universal and hit a chord with me when I was little, and so, hopefully we can explore some of that.
The reason the social-networking phenomenon is something that I invested in early and massively - I led the Series A financing for Friendster; I founded a company called Socialnet in 1997; I founded LinkedIn; and I was part of the first round of financing in Facebook - it sounds trivial, but people matter.
Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
What bothers me is that the cinema - what Fox News calls the "wholesome cinema that our children are supposed to be able to see" - is so violent. I'm not even talking about the content. I'm talking about the way in which it's cut.
I hear Jerry Falwell every Sunday here talking about the devil and Hollywood. . . . I'm gonna write him a letter. Hollywood wasn't built on filth and dirt - it was built on talent.
I was as content Off-Broadway as I was in a big Hollywood movie, and, I just try to be content wherever I am, you know.
It's very difficult to get any movies done about Black heroes - Haitian or American - in Hollywood. The argument in Hollywood is that there is no market for those movies, and that is not true.
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