A Quote by Freddie Wong
I think some people have a vague idea, but the general public has no clue what the actual behind-the-scenes of filmmaking is and what this profession is.
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The idea of freedom is quite in accord with a general, though vague, sentiment among us; it is an idea of fair play, of giving everyone a chance; and nothing arouses more general and active indignation among our people than the belief that some one or some class is not getting a fair chance.
You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.
Well, I try not to think about the general public since I have no idea what the general public is and I don't think anybody does.
After becoming Miss World, I now have some idea of what goes on behind the camera, and that filmmaking is a tedious and time-consuming process.
There's a theory out there that if you're in a public profession you're fair game. I couldn't disagree with that idea more. Especially with children - half the time they don't choose to be in that profession. For people to objectify other people's lives - kids or not - I find very tedious and tiresome. People who have a craft, that's their job. Their job isn't to create fodder for other people who are bored.
There's a stupid trend in American politics right now with people who have no experience with politics and no grasp of public service as a profession just deciding that they're going to jump into it. The obvious figurehead of this whole "I am an idiot, therefore I can be a politician" is Donald Trump. People think that ignorance of a profession is somehow qualifying for that profession. It's utterly baffling.
In the long run, much public opinion is made in the universities; ideas generated there filter down through the teaching profession and the students into the general public.
I think in any profession, in general, you always imagine yourself at the top of it. And I'm not trying to say I'm at the top of my profession, but I've seen what the top people do and what the top people live like. And that's definitely something I want to be a part of.
I think of scientific veracity as an idea from the past - the scientists say it is so, the photo is proof. Even the authoritative power of the word actual - an actual what? An actual retouched photo, an actual collaged photo?
You don't really get to know people behind the scenes. One can assume that it's out there, but I have no idea at the end of the day. I hope not.
With sex scenes and intense scenes, in general, a lot of it is preparation before the scenes happen, so that you don't have to worry about it on set.
The general public doesn't know and probably doesn't care about punctuated equilibria nor indeed should they, or the greenhouse effect on some other planet - they barely have the ability to cope with the greenhouse effect on their own planet. So I think you have to distinguish between the broad visibility of a scientist when he or she is speaking to a general public and trying to address general issues and the continued position that a scientist may have into the history of a particular subject.
General Grant had no fixed plan of campaign beyond the general idea to avoid the strong defensive line occupied by General Lee behind Mine Run, and find a way to draw him out to open battle.
You gleefully say, "I just thought of something!", when in fact your brain performed an enormous amount of work before your moment of genius struck. When an idea is served up from behind the scenes, your neural circuitry has been working on it for hours or days or years, consolidating information and trying out new combinations. But you take credit without further wonderment at the vast, hidden machinery behind the scenes.
Eleanor Roosevelt could easily have told negroes the deceitful maneuvering of the United States government that was going on behind the scenes. She never did it. In my opinion she was just another white woman whose profession was to make it appear that she was on the negro's side. You have a lot of whites who are in this category. Therefore, they have made negro loving a profession.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
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