A Quote by Freddie Wong
We have full creative control, we have a giant audience that loves what we do, and we can make whatever we want.
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The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existance, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records, and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it.
A real groupie is someone who loves the music and wants to do it with the guys who make it and someone who goes after what they want, so a groupie is a feminist thing. A woman who goes after what she wants is a feminist. So I've never been anything but a feminist. I took the birth control pill on the Strip in front of everybody and that was my statement. I control my body, I can do whatever the heck I want.
I love the intimacy and the passion and the danger that go into independent filmmaking. Because it comes out of a creative necessity. It comes from people who really want to make a movie and want to make a difference and want to grab an audience by the gullet and show them something different.
I started producing out of necessity. It's not that I want to become a full time producer, but it gives me control over my creative life.
My other creative outlet is knitting; aside from being fun, it is my antidote to the film business: I have full creative control, there is no development process, and I can self-finance.
Marriage changes everything. I want full control over my life. When you share your life with somebody else, you can't have full control. You have to give a lot of control away. You share each other's lives.
I want to be in control of drafting at least 80% the timing and cohesiveness of character and narrative. I want to be in control of giving you an experience, and want you to be acknowledged as an audience and can do things but only in a limited scope.
I enjoy total creative control right now. Nobody tells me to make it longer, shorter, better, sexier, more violent, whatever.
I feel dance and pop music genres are extremely female and extremely gay. When it comes to art and pop culture, queers are f - king weirdos. We don't have gender rules that tell us what we can and can't be. We just make it up as we go along. We have full creative license to be whatever we want to be.
Being a filmmaker in the digital platform has given me complete creative control. I can make what I want, when I want. I don't have to wait to book an audition.
The audience loves watching masala films, and I love to make what the audience likes. I also think it is easy to make a masala film.
Hardly any filmmakers can just make anything they want. Obviously, there are some exceptions, like Steven Spielberg, but he has that mainstream mentality and the kinds of films he loves to make are the kind that appeal to this big, mass audience.
Um, well my main profession is acting and music is what I love doing. It's kind of nice like that in a way because it means I'm under no real pressure with the music. I have got complete creative control and I can make whatever I want. So, that takes a lot of the pressures off because there's no financial pressure. And it's something I've always loved doing.
My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
(a womanist) 3. Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk. Loves herself. Regardless.
The highest prize we can receive for creative work is the joy of being creative. Creative effort spent for any other reason than the joy of being in that light filled space, love, god, whatever we want to call it, is lacking in integrity. . .
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