A Quote by Frederick Lenz
When we see a hero, on the one hand, we applaud them; on the other hand, there is something in a lot of people that wants to tear the hero down.
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No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
What really makes a hero a hero is if you take that person's hand, and you walk with that person, and they have a lot of weaknesses, but in the end, they overcome all of their obstacles.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
If you're going to tear down a hero, you should never forget that you're tearing down someone else's hero. You're tearing down somebody else's son. You might have to face her one day.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
Still the race of hero spirits pass the lamp from hand to hand.
It's really impossible for athletes to grow up. On the one hand, you're still a child, still playing a game. But on the other hand, you're a superhuman hero that everyone dreams of being. No wonder we have such a hard time understanding who we are.
Heroes come in all sizes, and you don't have to be a giant hero. You can be a very small hero. It's just as important to understand that accepting self-responsibi lity for the things you do, having good manners, caring about other people-these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.
Here's the point - and Jonah Goldberg reminds us of this. He wrote a blog post that was titled "The MacGuffinization of American Politics." Do you know what a MacGuffin is? "'In a movie or book, 'The MacGuffin' is the thing the hero wants,' Ace writes." So in the Maltese Falcon, for example, the hero wants the Maltese Falcon, but there's always somebody trying to stop the hero from getting what he wants.
Lord knows
Dreams are hard to follow
But don't let anyone
Tear them away
Hold on
There will be tomorrow
In time you'll find the way
And then a hero comes along
With the strength to carry on
And you cast your fears aside
And you know you can survive
So when you feel like hope is gone
Look inside you and be strong
And you'll finally see the truth
That a hero lies in you
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
I don't want to be considered a hero.... Imagine young people would grow up with the feeling that you have to be a hero to do your human duty. I am afraid nobody would ever help other people, because who is a hero? I was not. I was just an ordinary housewife and secretary.
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
One key to the distinction between mystery and suspense writing involves the relative positions of hero and reader. In the ideal mystery novel, the readers is two steps behind the detective.... The ideal suspense reader, on the other hand, is two steps ahead of the hero.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
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