A Quote by Frederick Wiseman

Making movies is an effort is an attempt to leave a trace of your existence. — © Frederick Wiseman
Making movies is an effort is an attempt to leave a trace of your existence.
I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it's great, too.
I want viewers want to talk about The Conquest. I want the dialogue to start after the movie. The cinema is there to leave a trace. I hope my film leaves a trace and that it will open a door for French cinema and that tomorrow other directors will make political movies. The job of a filmmaker today is to talk about the world surrounding him and, through his movies, to both entertain and raise questions about modern society.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
If you leave a good trace behind you, that trace will continue its walk even if you stop!
On a soft snow, even a sparrow leaves a trace; the important thing is to leave a trace on a steel plate!
My existence is about making movies, so I've just got to rock and roll with the punches. You want to make movies on telephones, I'm there.
Do not attempt to accomplish greater results by a greater effort of your little understanding, but by a greater understanding of your little effort. The greater your understanding of the power within yourself, the less effort you need to make in order to achieve.
The goal in life is the same as in basketball: make the effort to do the best you are capable of doing--in marriage, at your job, in the community, for your country. Make the effort to contribute in whatever way you can. You may do it materially or with time, ideas, or work. Making the effort to contribute is what counts. The effort is what counts in everything.
Leave your existence to existence, stop caring for yourself so much and let the universe care for you; it is the best mother.
There is not going to be, we can be quite certain, there's not going to be any action on reducing greenhouse gas emissions by China or India or Indonesia or Brazil unless all developed countries are making a major effort. It will still be a big job to get them in, even if we are all making the effort. But our making the effort is a necessary condition.
No matter how well you think you've hidden, you'll always leave behind a trace. And the more you try to hide that trace, the more obvious and troublesome it will become.
Existence is Appetite: the gnaw of being; the one attempt of all things to assimilate to some higher attempt.
One can study what exists and how consciousness functions; but one cannot analyze (or “prove”) existence as such, or consciousness as such. These are irreducible primaries. (An attempt to “prove” them is self-contradict ory: it is an attempt to “prove” existence by means of nonexistence, and consciousness by means of unconsciousness .)
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
Yes, I'm often reminded of her, and in one of my array of pockets, I have kept her story to retell. It is one of the small legion I carry, each one extraordinary in its own right. Each one an attempt - an immense leap of an attempt - to prove to me that you, and your human existence, are worth it.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
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