A Quote by Frederick Wiseman
I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.
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I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
These are old issues. Female power, misogyny, the treatment of women, how you make meaning in the world. And these are all issues that I've been thinking about and writing about for a very long time.
I guess a lot of things I make are relationship movies. Maybe all movies are relationship movies, because they're all about how we relate to each other.
My career was always about working with people, and understanding issues and problems and helping them to solve those issues and problems. How you deal with people - that's what diplomacy is all about. So while I'm not a career diplomat, many of the skills I had seemed to directly translate into the diplomatic arena.
In general, I find that poets spend a lot of time thinking about themselves, and not a lot of time thinking about other poets, or other poetry. Unless they think about how it affects them, or how it could impact them.
If you struggle with issues of documentation, issues of your health care, issues of whether or not you'll be punished for being open about who you are, those things affect how you can be employed or not employed, how you can get an apartment or not get an apartment, how it is that you feel free or not free.
I come from a documentary background and my natural tendency, as a filmmaker, is to make a movie, if I have something to talk about. If it's not about anything that matters, I don't feel like doing it. I'm not against people who make movies just for fun, but I'm not one of those guys. I just want to provoke thinking and debating about certain issues.
I think the Resurrection continues to be a pivotal issue, a pivotal question for people. I think a lot of other issues have been raised in interim years, about the nature of truth, of course gender issues, issues involving social matters like abortion and euthanasia and so forth, those swirl about and change from time to time, but I think the fundamental question of whether or not Christianity is true ultimately goes back to the Resurrection.
It's hard to really get that excited about movies. Think about it like this: how many good comedy movies come out a year? Maybe one or two? And then, in those movies, what are the chances that there's a character that I'm the best fit to play? It's really small!
How long has it taken the democratic process to develop in the United States? Since it was founded. So, do you think that as regards democracy everything is settled now in America? If this were so, there would be no Ferguson issue, right? There would be no other issues of similar kind, there would be no police abuse. Our goal is to see all these issues and respond to them timely and properly. The same applies to Russia. We also have a lot of problems.
With respect to our friends in the [Iraq] region, each has its own system, each will have to make its own judgment as to whether it will change, how fast it will change, and we hope that we can help influence them as to how change comes about and what change might be better for them than other forms of change.
A lot of people get Chicago wrong. I've developed this protective feeling about how we're portrayed, and at the same time, I'm acutely aware of the issues we face and the root causes of these issues.
I think this is one of those issues where the deeper you dig, the murkier it gets - and everyone who has spent a lot of time thinking about these issues.
Say what you want about superhero movies and how much they make and how much they hurt other movies. I don't buy any of it. I just think they're so good.
When you start talking about same-sex marriage, you start talking about abortion, and I think those issues are very very important and very interesting and very right for us to talk about, but when we allow those issues to cannibalize all other issues we find ourselves homeless while we debate about it.
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