A Quote by Frederick Wiseman
Of course there's conscious manipulation! Everything about a movie is manipulation ... If you like it, it's an interpretation. If you don't like it, it's a lie - but everything about these movies is a distortion."
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I like the conscious manipulation that a great director can have. When you're both complicit in the manipulation of an emotion.
Everything about a movie is manipulation.
Everything about the left is perception, manipulation, and lies. Everything. Everything is 'Wag the Dog.' Everything is a structured deception.
I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images.
Despite everything we know about photo manipulation, a photo is still considered an objective document.
The female body has always been a construction. Even feminist art of the 1970s fashioned a body in accordance with its own ideas, and in this regard it was a form of manipulation too. Subsequently, we've had to engage with a lot of things that we used to disavow as manipulation. We can't just dismiss everything as manipulations anymore, since the alternatives are constructions, too. From our perspective, from this corner of the planet, we have to admit that it's all constructed. There is absolutely no nature. Nature is one of the biggest constructions.
I think when you make a movie, one of your main focuses as a director is to inspire everyone else to give their best. Like manipulation.
Like medieval theologians we had a philosophy that explained everything to us in advance, and everything that did not fit could be readily identified as a fraud or a lie or an illusion... The perniciousness of the anti-Communist ideology of the Truman Doctrine arises not from any patent falsehood but from its distortion and simplification of reality, from its universalization and its elevation to the status of a revealed truth.
Emotions often must be portrayed from an inner feeling, of course, but I had a double advantage because I was learning to direct my as-yet expressionless feelings as well as gaining an ability to express emotion by a very conscious manipulation of my muscles.
It's not like I'm anti-China. I just think it's ridiculous that we allow them to do what they're doing to this country, with the manipulation of the currency, that you write about and understand, and all of the other things that they do.
These [NSA] programs were never about terrorism: they're about economic spying, social control, and diplomatic manipulation. They're about power.
The manipulation of what's actually portrayed in the media, through the legal system, is pretty shocking, actually. You can see how someone you would never know can make a public figure look like a bad guy or a good guy just from the little information they let you know. My advice is to research everything. Don't just hide behind your Facebook posts. Research everything.
Walesa was a national hero, a true icon. The vast majority of Poles didn't believe a word the authorities said. They took everything the official media said about Walesa to be a manipulation by the Communist authorities.
Producers say things that they would like to see in the movie but they don't see the full picture. In the end if you ignore everything the producers say, of course, you get fired; but then if you listen to a producer on everything then it's like 'Hey - why don't you direct your own movie?'
It's this long monologue [in Valley of Violence] with Ethan Hawke talking about life and everything with a dog. That's not in movies. Hopefully when people think about the movie when they go home, they're like, "That's weird. He's maybe crazy. He's talking to a dog the whole time."
Movies are about time. You can take that momentum and manipulate time as well, or you can deliberately slow it down, stop it, and start it again. There is no other art form that does that type of manipulation in that way.
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