A Quote by Frederick Wiseman

My goal is to make as many films as possible about different aspects of American life. — © Frederick Wiseman
My goal is to make as many films as possible about different aspects of American life.
Say you're an American novelist, published by the largest publishing house in the world. Their goal is to make as much money from you as possible, to have as many people read your book in as many formats as possible. How can you hope to speak intimately to the numbers of people that represent the book sales required?
Learning to make films is very easy. Learning what to make films about is very hard. What you’ve really got to do is focus on learning as much about life, and about various aspects of it first.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
If you live for the highest goal, you are living a life of the spirit-whether or not you consider yourself to be on a spiritual path. If you consciously notice the larger aspects of life, always consider whether what you are doing coincides with these aspects, never forget the times when you were enlivened by the power of the highest goal, use those memories in new situations, and act with the knowledge of the support you have and the journey you are on-you will be living for the highest goal.
I retired at twenty-nine, bought a life-time pass on American Airlines and my only goal in life was to party like a mad man and get drunk with as many people as possible. And I was happy right there. But when we started the streaming business, I knew it could be something big.
Things are shifting; man is evolving in many different ways. The Internet has created a portal for people to connect with each other in a way they never could have before. When it comes to African-American or black films, it's different because there is a model that you can actually look at, an equation that shows that these films earn money.
You must know that Iran has a great number of productions. Many films are released. Most of them, like in the rest of the world, are commercial and shallow films. These are the most popular ones. And there are a few ones that actually develop more profound and thoughtful aspects of life. Only some of these films travel out of Iran.
My influences are all over the place. Different films have spoken to me at different times in my life, and they've helped create my idea of the kind of films I want to make.
Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.
Growing up, I always liked so many different sounds from so many different genres - the different aspects they could bring.
Unfortunately, I did not do many films but all the aspects and phases of my life have made me a better and a stronger person.
The wonderful thing about films is how they can be understood by so many different people on so many different levels.
This is the goal: To make available for life every place where life is possible. To make inhabitable all worlds as yet uninhabitable, and all life purposeful.
That's tangent, but I like the strategizing and thinking about how things are going to fall and thinking of different ways to engage with fans. Ultimately, the goal is for the music to be heard by as many people as possible.
I'm a pluralist. I've always argued that as many different films as possible should be made.
Darwinism did not strip meaning from the world but intensified it, 'by identifying it in as many aspects of life as possible'.
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