A Quote by Friedrich Nietzsche
But anyone who has really made sacrifices knows that he wanted and got something in return perhaps something for something of himself - that he gave up in order to have more here or at least to feel that he has "more".
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She wanted something else, something different, something more. Passion and romance, perhaps, or maybe quiet conversations in candlelit rooms, or perhaps something as simple as not being second.
Whoever has really sacrificed anything, knows that he wanted and got something in return.
Maybe my sister and I shared more than we thought. We were both waiting and wishing for something we couldn't completely control: I wanted to be alone, and she the total opposite. It was weird, really, to have something so contrary in common. But at least it was something.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
If I was having a bad day, or if something was really getting me down -- boy troubles, whatever -- I wanted to go out and get a new piercing. It was definitely a release for me. Something that made me feel a little more strong or empowered. Because it was something that had to do with me and no one else.
He thought of trying to explain something he had recently noticed about himself: that if anyone insulted him, or one of his friends, he didn't really mind--or not much, anyway. Whereas if anyone insulted a novel, a story, a poem that he loved, something visceral and volcanic occurred within him. He wasn't sure what this might mean--except perhaps that he had got life and art mixed up, back to front, upside down.
The art of compromise centers on the willingness to give up something in order to get something else in return. Successful artists get more than they give up.
I've illustrated many children's books and I feel awfully lucky to be able to do something I love so much, and yes, to be able to pay the rent, but there was a yearning to do something more grown up, and something where I didn't have to cater to anyone; I was just waiting for the material.
I gave up something I wanted for something I need. And I need you, Angel. More than I think you'll ever know.
Everyone was saved once by music. So I decided to REALLY work on my songs and not just "play" - to make something really good, more "professional." Something which makes you feel better; a song who says: "I know how much you're sad, and you're not alone, this is a song made for you." I really wanted to help with my music.
We're going to miss Damon. He was a great shooter. . . . He got what he wanted, but he gave up a lot. No more night life, no more warm weather and no more a lot of media attention. . . . I guess this was his first shot at getting something big. I guess he had to take it.
[ Age Of Trump] was something that I really wanted to do, and I also really wanted it to feel evergreen, so we made a lot of attempts not to bog it down in the campaign fight, even though we were right in the middle of that. I wanted it to be something that could live on and be a conversation piece long after this inauguration, whoever it was going to be.
Keep on going and the chances are you will stumble on something, perhaps when you are least expecting it. I have never heard of anyone stumbling on something sitting down.
I really do believe that chance favours a prepared mind. Wallace Stegner, who was one of my teachers when I was at Stanford, preached that writing a novel is not something that can be done in a sprint. That it's a marathon. You have to pace yourself. He himself wrote two pages every day and gave himself a day off at Christmas. His argument was at the end of a year, no matter what, you'd got 700 pages and that there's got to be something worth keeping.
Photojournalism is photography with more story telling. A single image can be amazing and dramatic. I started out shooting individual images, but I found I wanted to have more of a voice: to actually say something. I wanted to do something more personal over a long period of time, with more authorship.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
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