A Quote by Gabriel Iglesias
It's not an overnight thing. I can legitimately say I've been working my ass off for a long time and the fact that I'm getting this concert movie is perfect because it's coming at just the right time in my life.
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When people are bothering you constantly when you're trying to do just a simple thing that humans do every day but they won't let you do it without bugging you about it, that was a hard thing. Because I became a movie star overnight. From a working actor and working writer to a movie star.
When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
I know I did the right thing by taking time off to raise my son. But it also came at a price. I turned down many opportunities over the years because I didn't want to leave him for long periods of time. And in Hollywood, as in any business, the calls stop coming when you don't answer.
I know that big, important things don't just come together overnight, but I've been me for a long time now and it's still not working.
When you're superhot, you don't have the time to enjoy being superhot, because you're working your ass off. By the time we will actually have time to really go out and screw around, we won't be hot anymore.
I feel like when I'm working and when it's not my time off, I like working out alone because it's kind of like that time that my mind gets to just shut off and I can just focus on working on being a better boxer.
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied... That's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.
I've been a long time coming, and I'll be a long time gone. You've got your whole life to do something, and that's not very long.
I always say getting my bachelor's was the single hardest thing I've done in my life. Once I got to university, I was working harder than I ever had before and, for the first time in my life, I was getting bad grades. It was demoralising.
You can work on a movie for years, and you won't know until you show it to an audience for the first time if it makes any sense to them at all, if they're touched, if they find it funny, so it's endlessly exciting, because failure is just right there all the time, and your chances of success don't rise that much based on the fact that you succeeded last time.
We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
This confidence is not something that happens overnight. I have been working on it for a long time. I look in the mirror and do affirmations: 'You are bold. You are brilliant. You are beautiful.' If my lower pooch is really popping out that day, I look at it and say, 'Pooch, you are cute!'
The writing of the record didn't take long, because I just have a huge stack of papers and I just pluck from the stack. It took a long time because it's very expensive to make records; in fact, I think it's a complete rip-off.
There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
I felt a strange tightness coming over me, and I reacted instinctively – for the first time in a long, long while – by slipping my notebook into my belt and reaching down to take off my watch. The first thing to go in a street fight is your watch, and once you’ve lost a few, you develop a certain instinct that lets you know when it’s time to get the thing off your wrist and into a safe pocket.
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