A Quote by Gale Anne Hurd
I think in television you have an ever-closer bond to the audience because they're inviting you into your living rooms and their bedrooms 16 hours a year. And they have that relationship with the characters and with the creators. And now, because of social media that's even a more significant connection.
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I think my relationship with social media has changed so much that I really resent social media now. And I'm trying to figure out what a successful exit strategy is as someone who has gotten a lot of opportunities because of social media and how it's given me a portfolio.
I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.
Social media puts reciprocity on steroids because now you can reach more people in more ways to do more things for them faster and at lower expense. Positive word about your reciprocity can spread faster than ever.
Television's an intimate medium. It's in our living rooms. It's in our bathrooms. It's in our bedrooms - and we respect that.
In recent years we've seen an explosion of creative programming, and I think it represents a third golden age of television because the creators have more control over the story. The audience doesn't care about the platform. They care about the content.
Television is interesting, in that the pace is quicker and you can see your work more quickly than with movies. And then, with the added social media aspect, you can access that relationship to the fans directly and you have control of the content of what you say, your perspective, your opinions and your ideas.
I don't think of myself as anything more than a person who sits in the living room with you telling you a story. I just happen to be in 16 million living rooms.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
Things have evolved, and footballers pay a lot more attention to how they dress and how they groom themselves because of social media. So they'll be on Instagram or Twitter, and I think it's one of those things - you're in the public eye more, probably, than playing football on television, and your lifestyle at home is broadcast.
If you have nothing to hide, if you're actually working for eight hours, or 10 or 12 hours, however long people decide to work, it's OK to have windows around conference rooms, it's OK to have cubicles. Because you're actually working. If you're not working, doing social media and spending half the day for personal stuff, then an environment like this will actually bother you.
It's funny: I spend time in the book criticizing social media, but I'm also aware that a lot of my success is because of social media. I can broadcast myself and my work to thousands of people that are following me or my friends. I do think that social media can be good for self-promotion.
I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
I've learned to become a progressive man because I have four women in my life. And their mother, who I'm not married to anymore, but who impresses me because of our relationship. Because we have a very deep and friendly relationship that is completely about who we really are now. Before it was husband, wife, mother, father. But now it's about who we are as human beings. Because we didn't give up on each other. And because we didn't hurt each other and blister each other from a divorce. We became tight. Best friends. And more than that even, because now we're best parents.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
Make sure your characters are worth spending ten hours with. That’s how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling. If not, your reader will be bored and leave.
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