A Quote by Gareth Edwards

Especially in television, when you do visual effects, what you're predominantly doing is trying to add value to TV shows that otherwise don't have any. — © Gareth Edwards
Especially in television, when you do visual effects, what you're predominantly doing is trying to add value to TV shows that otherwise don't have any.
For ages I thought I'd wasted my career doing visual effects, I wanted to be a filmmaker. And then I've learnt at the end of it all that actually visual effects was probably the best training ground I could have had.
Nothing scales quite the way a sci-fi feature does, I mean, you can always add more visual effects; you can spend a lot of money on the visual fidelity alone.
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
Television is a very powerful medium and I am open to doing any type of shows on television.
In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
I'd been offered TV series over the years and never had any interest in doing television. I'm not a TV guy.
The thing is, with doing our TV show 'Strictly,' and 'Stand Up For Cancer' and any shows I do for TV, it's always so positive.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
I had a TV show called 'The Apprentice' and it's one of the most successful reality shows in the history of television. And now I'm doing something else.
I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.
The most important thing is that you have to have the visual effects working for you, instead of you working for the visual effects.
The way Hollywood and TV is, black people don't have any choice but to see ourselves in white-dominated television shows and stories and movies.
I don't necessarily think there's a difference in terms of how the film industry and the ad industry view visual effects. If visual effects (or the lack thereof) are used as a tool to strengthen an idea, they're great. If they are meant to carry more of a load in the absence of a concept, they're a waste and a distraction.
The thrill of doing visual effects doesn't exist.
This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
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