A Quote by Garry Hynes
The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country.
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Despite being from Ireland, I've always avoided writing about it, for two reasons. For a very small country, Ireland has produced an astonishing number of literary geniuses, and at some level I probably never felt, having left as a toddler, that I had the right to try and add my voice. That's part of it. But I also didn't want to write something that was the equivalent of the Irish theme pub. You find them all over the world. The idea of producing a novel that might replicate that type of ersatz really set my teeth on edge.
I do go back to Ireland, and I'll probably be doing a film in Ireland in January, and I guess that kind of keeps me classified as 'the Irish actor,' but the last four or five projects that I've been in are either American or English, so I don't feel terribly trapped in that. But sometimes, yeah, you would like to not be called 'the Irish actor.' You'd prefer to just be called 'the actor.'
Irish writing is so strong that it can feel like the country has all been covered, but in fact, there are so many gaps. The small west of Ireland cities and the working classes there have almost never appeared in Irish literature, simply because those communities were never in the way of producing books.
It is in that English Parliament the chains for Ireland are forged, and any Irish patriot who goes into that forge to free Ireland will soon find himself welded into the agency of his country's subjection to England.
It was good to launch the economy in the '50s. Japan did this; China did this; even South Korea did this. All the East Asians did this - import substitution. I think all countries followed import substitution in the '50s and in the '60s, but I think by the '70s, countries were getting out of that first phase of the strategy.
I always gravitate towards anything from Ireland. With Irish lit, I love the use of language, but also in many instances, the Irish writers are writing about people and circumstances that I can relate to.
I think people saw him as someone who did good things for Ireland. If you looked at all the Irish actors in 'Excalibur' alone - Gabriel Byrne, Liam Neeson - there was a whole gaggle of Irish actors who've gone on to become stars, so Dad was really part of that.
One of the skills you have to master in theater is the ability to make the audience believe that things that aren't there are there - just like when you're acting against CGI. Also, in a theater, the people in the back row can't see the whites of your eyes. Or your lips moving as you deliver dialogue.
I continue to believe that she has not jeopardized America's national security. Now, what I've also said is that, and she's acknowledged, that there's a carelessness in terms of managing emails that she has owned and she recognizes. But I also think it is important to keep this in perspective. This is somebody who has served her country for four years as secretary of state and did an outstanding job, and no one has suggested that in some ways, as a consequence of how she handled emails, that that detracted from her excellent ability to carry out her duties.
The '50s were so lame they produced the '60s!
At its best, writing is a dialogue. It's one of the things I love about children's: the fact that this dialogue is really there from the get-go, from the start of writing.
The Scots (originally Irish, but by now Scotch) were at this time inhabiting Ireland, having driven the Irish (Picts) out of Scotland; while the Picts (originally Scots) were now Irish (living in brackets) and vice versa. It is essential to keep these distinctions clearly in mind (and verce visa).
I was born in the '50s - 1951. So I grew up during that part of the '50s when everything was supposed to be at its best in America, they claimed, and then eased into the '60s.
I am a proud product of Irish golf and the Golfing Union of Ireland and am hugely honoured to have come from very rich Irish sporting roots... I am also a proud Ulsterman who grew up in Northern Ireland. That is my background and always will be.
I am a proud product of Irish golf and the Golfing Union of Ireland and am hugely honoured to have come from very rich Irish sporting roots I am also a proud Ulsterman who grew up in Northern Ireland. That is my background and always will be.
I don't know of any American playwrights who earn the bulk of their living writing plays. Many of the older ones teach, while a growing number of younger ones write for series television.
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