A Quote by Garry Marshall

You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.
The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.
Sometimes one of my ways of choosing movies that I want to do is if it's the kind of movie I would have gone to see when I was a kid, and this is a movie I actually did go see, as a kid. And I think it will be exciting for audiences to see now.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
As a painfully shy kid, my fun time was locking myself away and watching movie after movie after movie. Watching a good performance, to me, was like getting a new toy.
It's emotion. When you are watching a movie you see a woman sitting with her daughter and looking in her eyes and you see butterflies flying in the background and then you suddenly hear scary movie music and it changes the whole thing. But if something sounds different it changes the movie. Music is the back drop of what you talk about.
One of the challenges was to make a cinematic movie about literally talking heads and to try to make it feel like something you want to see in a theater.
As a little kid watching horror movies, if you only got to see the monster for the last two minutes of the movie, I thought that movie pretty much sucked.
My first movie I saw when I was a kid was 'The Jungle Book.' I was 5 years old, and I saw it in a movie theater. Seeing that movie really lit the fuse and ignited my passion for animation.
It's a mistake to just go make a movie where the whole thing is talking down to the kids like, "Ok, we gotta bring the IQ of this movie down because it's a kids movie" You don't have to do that, kids can laugh and parents can laugh at different parts and that's fun, and you see that with all of the great kids movies.
The world record is like you we went to the theater to see this movie, and it was really good, and it had an unexpected ending, and you left the theater saying, 'Wow, that was such a great movie.'
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
When you go to the movie theater and the opening of this movie and you see the kids just cracking up with a character you are giving your voice to, you get goose bumps. It's so beautiful.
In Providence, we didn't have a first-run movie theater. But we did have an indie movie theatre on the Brown campus. That was the theater we'd go to. I think, as highbrow as it sounds, that I grew up on the films.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
Adaptations are fun for me because they connect to the idea of filmmaking I had when I was a kid. I would see a movie and think: 'I'm gonna make that movie.'
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