A Quote by Gary Numan
When you decide to do this kind of music then you just accept the facts.
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Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
In the hip-hop community, it's about how real are you, or how strong can you be, and really my music just reflects me. If you can accept me, then you can accept my music.
In the hip-hop community, it's about how real are you, or how strong can you be, and really my music just reflects me. If you can accept me, then you can accept my music
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.
Blessed is that Christian who can accept at the start by simple faith that which others reach only through years of questioning and reach it only then because they give up trying to analyze it and decide to accept it.
I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.
The thing is, when you're kind of creatively self-employed, your brain just kind of chooses the path of least resistance, so if you really exhausted and you've had a long day, then that's typically when you might respond to emails or if you're on a plane and have nothing else to do, then you might listen to music and write these satirical pieces trying to explain the charts with music theory.
He shook his head. "Some people think that they like music, but they have no idea what it's really about. They're kindding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me."
"People like you," I said. "What kind of people are those?"
"The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened."
People will generally accept facts as truth only if the facts agree with what they already believe.
And if you decide not to read anymore, hey, no problem, because you're not the one I was waiting for anyway. But if you decide to read on, then guess what? You're my kind of time being and together we'll make magic!
Decide for yourself what kind of works you want to create... facts, essays, poems - do you want to speak or to sing?
If you're feeling intransigently ambivalent, it might pay to formally accept what's already happening - that is, decide not to decide.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
I have to decide whether I'm just laying down a groove, kind of a bed and canvas for the lyrics and music to live on, or trying to illustrate something in the lyrics.
There's a certain kind of research you have to listen to - the factual stuff, not opinion. Facts are facts. Sugar is sweet - it's not a matter of opinion. It just is.
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