A Quote by Gaspar Noe
From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.
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I actually didn't even think about "Josie and the Pussycats" . I was like, "Oh yeah we kind of took some shots at MTV," but I think everyone had a good sense of humor about it. People either got that movie completely, or completely missed it and dumped all over it.
It's interesting, a lot of my friends and family thought that was the moment I kind of showed everyone my humor; the silly side of me that friends and family know, so that could be what people were responding to. I have a big sense of humor, and people who know me know that silly side of me, so moving forward, I think it gives me the freedom and confidence to do more of that.
I think I love humor in poetry, but not that slapstick cheap easy humor, but that uncomfortable, "did she say that out loud?" kind of humor.
You know what make me laugh? Good, clean, honest humor. Not-trying-to-be-funny humor. Like Will Ferrell. Will Ferrell got that kind of humor.
I think humor is a really important way of creating solidarity - like, through humor you can make people realize that certain situations, where they thought they were alone, are actually shared by everyone.
I think everybody's goal was to make something that was really broad for a big audience, which was my goal too. But my main goal was that I wanted my audience to love it, because they're the ones who are going to buy it, and they're the ones who are going to tell their friends. And I wanted to make sure that core audience was really happy, because if they all buy it we have a successful movie.
I believe my friends think I'm funny. All the books are full of humor. Maybe it is a quiet sort of humor that masquerades as not-much-at-all. It is certainly easy to miss.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I think one of the biggest things is the budget.For a studio, becomes a very big challenge to make sure that movie will work even better on every level. As an actor I don't think in those terms when I make a movie.
Whenever you show up on a set where you haven't been from the beginning - at least myself - I'm kind of quiet. I just watch the politics and how everything unfolds. It's kind of like going to a new high school. You want to see who everyone is before you introduce yourself, really, to kind of make friends. I think any smart person does that in social situations
I don't think in terms of what's going to be successful. I have plenty of friends who make very small movies and friends who make giant, $150 million blockbusters, and the thing that I really admire is, the ones who do it well do it very sincerely.
I've learned that you never have to think about how to make money. You need only to focus on what you think is going to be a good movie or what's a movie I'd like to watch as the audience.
I just play to progressive audiences. You know, if they're watching Discovery Channel, History Channel, that kind of thing, "Monty Python" have already laid the groundwork. They're known around the world. People like that kind of surrealist, left-field humor, and that's what I do. And "Saturday Night Live," a lot of American humor. "The Simpsons," above all, the weird, left-field humor, which I love. And sardonic. So that's all I'm doing. I find that audience, and they're in every developed country around the world.
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
I think there's a little confusion between humor and 'gross' passing for humor. That's kind of regrettable, because they aren't the same thing.
No. I think they're the idiot people and I'm the normal person. But I don't really go to parties where...I don't really have drunk friends. My friends are kind of adult; they have a drink. But they hold their liquor. I think it's incredibly embarrassing when people are drunk. It just looks so ridiculous. I find it very degrading. I think, oh, you're really degrading yourself right now, to be this pissed out in public.
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