A Quote by Gaspar Noe

When you go to Cannes, people are there to fight, to scream - like football, the World Cup. Once I was working on a movie, and then when I went to Cannes, I went there to whistle at all the other movies in competition. You go to help your friends and fight with your friends' enemies.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
I could be your worst enemy. But i would rather have friends then enemies, and i go to great length to make that the case. There’s much more reward in having friends.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
But as you age, you lose other, even more important things, like friends-hopefully only bad friends, who maybe weren't as good for you as you once thought. With luck, you'll be able to hang on to your true friends, the ones who were always there for you....even when you thought they weren't. Because friends like that are more precious then all the tiaras in the world
I used to fight every week. Me and my friends used to fight each other, bare knuckle, but then we would be friends that same day. That was our entertainment, though.
You get these horrifying straight-to-video things for very little money, then you go to the Cannes Film Festival, and they got some poster of you, 40 ft. high, in the worst movie in the world.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale.
It's easy to go out there and fight and scratch and play and sweat and bleed for guys that you consider your friends, your brothers.
When you fight, you don't fight for abstract values like the flag, or the nation, or democracy. You fight for your buddy. You fight to keep him alive, and he fights to keep you alive, and you go on that way, day after day, battle after battle. And when one of your buddies dies, something inside you dies as well. But you go on. You fight, so that his death isn't meaningless, his sacrifice isn't for nothing.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
I don't like to have a strategy going into a fight. If he has a good right hand or a good kick or good submissions then I'll try to avoid that, but I like to be in a fight and I like to go into the fight. Even in jiu-jitsu I didn't think of pulling this guy into guard or take him down because I like to go into the fight and see what happens.
You show people what you're willing to fight for when you fight your friends.
You make a movie with some people, you become friends over the process of making this movie and then... you go your own way.
What are friends? Friends are people you think are your friends but they really your enemies, with secret identities.
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